Tag Archives: dolphin hey

Dreaming of Dolphins – DI – Don Veino 20190123

Type: Longways, Duple Improper
Status: Proven

The title pretty much says it all. I was in a period where I was thinking about Dolphin Heys repeatedly, generating gobs of DH dances. Between this Duple Improper dance and two other 4-Face-4 compositions, From Here to Dolphinity and To Dolphinity and Beyond, I feel like I’ve got to where I wanted and the urge should finally be out of my system.

I’m pretty pleased with this – it incorporates some feel of the traditional dance Devil’s Dream plus the Down The Hall/Turn As Couple and Up The Hall/Cross Trail idea I found in The Campbells are Coming. Feedback from the first trial was extremely positive. I hope to get a chance to dance it someday! πŸ˜‰

I think of this as a contra dance but it’s sort of a crossover contra/ECD composition… so I’ve labeled it as simply a longways duple improper here.

As this is an uneven dance, I recommend multiple shorter lines to give everyone a chance at playing dolphin. I start the walk through at A2 and finish with the A1 then have dancer couples swap places to retake hands four for a second quick walk through from A2 with the twos active. Reset and start at A1.

A1
Neighbor Balance & Swing

A2
LLF&B, 1s Swing
[face NEW 2s below] [NOTE this NBR!]
#progression

B1
Dolphin Hey, Centers/1s as couple passing solo LDY/RVN 2 by LEFT
[end with Centers facing down, Outsides facing UP]

B2
1s in Center DTH, Turn as CPL /*WHILE*/ 2s Outside UTH, Turn Alone
As Return, 1s Cross Trail to “Hey” NBR &…

Contra Variations (included only for completeness – I strongly prefer the above): Twos can stay put in B2 to anchor the set. Everyone could turn alone in B2 and omit the Ones Cross Trail into the A1 Balance (or Gypsy) & Swing.

From an ECD standpoint: A1 would likely be better as Gypsy & actives Two Hand Turn. The remainder would involve the ECD equivalents of the contra terms.

End effects: Be aware of the change in couple roles at the ends.
Tune suggestions: Of course Tom Kruskal’s – the “international standard” tune for Dolphin Hey dances. πŸ˜‰ Other suitably regal yet driving tunes.
Video: First trial at Concord Scout House Monday Contras Series on 1/28/19.
See also: My other related dances, including So Long And Thanks For All The Fish, Fun With Flipper, From Here to Dolphinity and To Dolphinity and Beyond.
First called by me at Concord Scout House Monday Contras Series on 1/28/19.

Fun With Flipper – Triplet – Don Veino 20181006

Type: Proper Triplet
Status: Proven

Flipper approval graphic
Shouldn’t this be a Dolphin of Approval?

Yep, I’ve been on a real Dolphin Hey compositions run – which led me to research the history of that move back toward its origin. It appears the Dolphin Hey first appeared in the modern era Scottish Country Dance Pelorus Jack out of New Zealand, named after a famous dolphin there. I saw the opportunity for this triplet to use the Dolphin Hey in essentially the same way as the original Scottish dance but with differences in the formation, set up for the move and the exit. While the Scottish dance is done with skipping steps to a particular jig, this triplet is intended to be danced with a typical contra/ECD walking step.

A1
(4,4) Lines/3 Forward and Back
(4) Ones Cross and Go Below 1 Couple (as Twos shift up)
(4) Ones Allemande Right ~3/4x (to Gent 1 face Lady 2, Lady 1 falls in behind Partner)

A2
(8) Ones Pass Lady 2 Right for a Half Dolphin Hey* w/Second Diagonals and then to their right
(half = Second Diagonals swapped, Ones back in center)
(8) Ones Pass Gent 2 Right for a Half Dolphin Hey w/First Diagonals and to their right
(First Diagonals swapped)

B1
Ones Pass Lady 2 Right for a Half Dolphin Hey w/Second Diagonals and to their right
(Second Diagonals swapped back)
Ones Pass Gent 2 Right for a Half Dolphin Hey w/First Diagonals and end below the Threes, facing Partner
(First Diagonals swapped back, all but Ones are Proper, couples are in 2-3-1 order)

B2
All Partner Balance and Swing
[end Proper (as if facing up, 2-3-1 order) and face Partner across]

*Dolphin Hey: a hey for four traveling the path of a hey for three. One β€œcouple” (in this dance, the Ones) travel as a unit while the other dancers travel solo. The couple stays in their respective orientation relative to the hall so they alternate the lead position as they travel the heys together, sweeping wide at the corners to trade the lead. In this dance that means Gent 1 leads up & out to the right, then Lady 1 leads the pass down & across the set, Gent 2 leads down & right and it ends with Lady 1 leading up and across the set toward the bottom. The pattern in this dance for the ones looks a lot like a Mac Command Key symbol

End effects: N/A
Tune suggestions: Energetic with strong 8 beat hinting and a nautical feel – e.g.: Quindaro Hornpipe, Fisher’s Hornpipe, etc.
Video: Pelorus Jack Scottish Country Dance: History, Easy to Follow
See also: Pelorus Jack Scottish Country Dance, my Dolphin Series dances
First called by me at Concord Scout House Monday Contras series on 10/8/2018.

So Long and Thanks for All the Fish – 4 Face 4 – Don Veino 20180528

Type: Contra Dance, 4 Facing 4 – single progression, alternating sides
Status: Proven

Don't Panic!
Don’t Panic!

I’ve become slightly obsessed with Dolphin Hey dances. In this case I was striving for one that automatically alternates who gets to act as the traveling pair, so there’s no need to have differing choreography in alternating cycles. A 4-Face-4 achieves this – but note the resulting hey is unusual in that it’s Trail Buddies (not Partners) that are traveling as a pair together.

The key teaching point (over how to do the Hey) appears to be stressing who is doing the roll-away (I’ve found saying “the most recent person you swung” is better than “original corner”).

You may get a chuckle out of Hitchhiker’s Guide fans when you tell dancers the title. πŸ™‚

A1
Long Lines Forward & Back, Corner Swing
[Those swinging on the outsides of the set separate from their corner (take a step apart) after the swing and face across, so there are clear columns of 4 across the set. Trail Buddies who swung (in the center) face to their original left toward the outside of the set. Note partners are in separate columns/4.]

A2
Center Trail Buddy pair starts a Dolphin Hey* across the set (passing the solo Lady by the left with the TB Gent in the lead).
[after the hey, all end up back in their swing ending positions]

B1
Ring/8 Balance, Gents Roll Away their Original Corner (one you swung, R->L) and face Partner
Pass Partner by Right to Weave the Ring/8 half way
[back to Partner, in progressed location]

B2
Partner Balance & Swing (end facing direction of progression)

*Dolphin Hey: Borrowed from English Country Dancing, this is a hey for four traveling the path of a full hey for three. One “couple” (in this dance, the designated Trail Buddy pair) travels as a unit while the other dancers travel solo. The pair stay in their respective orientation relative to the sides of the hall so that they alternate the leading position as they travel the hey together. In this dance that means the Gents lead out to the left, then the Ladies lead the pass back across the set and the Gents lead the finishing partial pass back to the center.

End effects: none
Tune suggestions: Driving with strong 8-beat phrasing, or romantic with flowy A2 and well hinted 8 beats elsewhere. Not unsurprisingly, Tom Kruskal’s fits – it’s the tune for Christine Robb’s ECD, Sapphire Sea, which got me interested in the Dolphin Hey to begin with.
Video:
See also: Sapphire Sea; my other Dolphin Hey dances, not yet posted
First called by me at the NEFFA Thursday Contras dance at the Concord Scout House on 9/20/2018.