Tag Archives: gate

Feeling Gravity’s Pull – DI – Don Veino 20180710

Type: Contra Dance, Duple Improper
Status: Proven

I wanted something smooth and stately which swapped around the idea of who typically does certain sorts of moves (e.g.: in this dance, it’s the Ladies who cast the Gents – not the other way around) plus avoided overused elements like allemandes and circles to keep things unique. This one came along pretty easily, once I thought of deconstructing a normal Figure 8 so only one party would walk that path – which is what the Gents do in the A2 here.

Dancers report liking this very much and the Ladies “bounce-back” in the A2 was a dancer-invented alternative.

During development, this was also known as “The Eyes Have It” because of all the eye play possibilities, but I discovered that title was already taken. Yes, I’m a big fan of very early R.E.M. music.

A1
Neighbor Gypsy, Swing

A2
Gents Swap Places (passing left) and face out
Gents Loop Left *WHILE* Ladies Slide Left+ (so each move into Partner’s starting place)
(inside hands) Ladies Gate the Gents 1x
[+Alternative for the Ladies here: Walk forward on the slight left diagonal to bounce back into the left hand position next to Partner Gent]

B1
Pass Through straight across, Partner Swing

B2
Gents pass Left for a Full Hey (EXCEPT Ladies Bounce Back the FIRST time)

End effects: none
Tune suggestions: Smooth/romantic/driving
Video: First trial at Concord Scout House Monday Contras series
See also:
First called by me at Concord Scout House Monday Contras series on 9/17/18.

(Riding in the) Zoomy Car – DI – Don Veino 20170717

Type: Contra Dance, Duple Improper
Status: Proven

The A parts of this composition were inspired by Lindsey Dono’s work-in-progress composition Working Title (WT), which I’d become involved in discussing. Lindsey, several others and I were challenged to date in finding a smooth two-swing resolution to Working Title’s unique/signature compound-action Figure 8 and Hole in the Wall A parts.

However, after reporting back my best attempt on that to Lindsey, my brain wouldn’t let go of the feel of the dance and I came up with the following re-imagining on WT‘s A parts theme and married it to one of the B parts solutions I’d offered up for Working Title (which worked in that context only if the “half” Figure 8s in that dance included a second cross-over for the actives – becoming a “5/8ths Figure 8”?).

The title for this one is again inspired by our daughter Raeden. My sports car has remained in the garage for the 5 years since her birth (car seats are unsafe in two-seaters). Raeden loves speed/curves/inertia and frequently talks about a future day “when I’ll get to ride in Daddy’s zoomy car.” The swooping action of this dance reminded me of her dream – which I look forward to fulfilling soon.

A1
2s Handy Hand Gate 1s 1+1/4x (mirror move)
[Simpler alternative: Long Lines Forward & Back]
1s Half Figure 8 down through 2s (around same role and above to center of line/4 facing down, L2,L1,G1,G2)

A2
Line/4 Down the Hall, bend line
[pssst: the bend is actually a 1s Gate 2s 1/2x – but they don’t need to know that if you did LLFB in A1]
2s Half Figure 8 up through 1s (around opposite role and below to center of line/4 facing up)
[to G1,L2,G2,L1 from dancer’s perspective (or L1,G2,L2,G1 from stage)]

B1
Line/4 Up the Hall; Gent 1 lets go, the Twos arch* via Gent doing Left Hand High/Right Low to shoot Lady 1 through to Gent 1
Partner Swing
[*note Lady 2 continues walking forward during Left High/Right Low move to make space for Lady 1 to pass through straight across and can keep hands directly into the Swing]

B2
Gents Allem Left 1+1/2x
Neighbor Swing (and take [handy] hand with next…)
[Alternative for Allemande: Give & Take in some form to Ladies]

End effects: Be mindful of how your action changes when crossing over at ends
Tune suggestions: Marches, strongly phrased romantic tunes
Video: Princeton, NJ
See also: Lindsey Dono’s work-in-progress Working Title

First called by me at the Princeton, NJ Country Dancers contra on 7/19/2017 with LLFB option in A1.