Clap Happy – Gender Free Longways or Circle – Don Veino 20180115

Type: Longways or Circle Family/Ceilidh Dance – Gender Free
Status: Proven

Clap Happy being danced
Clap Happy dancers!
This dance always gets smiles with the right crowds. Very useful for those community dances where you want want to sense the crowd or provide some variety without the possibility of a crash and burn. Works well as a keeper with smaller kids paired to a bigger kid or parent. Can be used as a mixer with older kids or adults.

In larger crowds run this in multiple “longways for as many as will” sets with partners opposite.

In smaller venues as a circle dance, I get folks to take hands in a single circle with Partner, then have them adjust to have one person in each couple face me or put their back to me in the center so the couples form radial spokes for two concentric circles. Then I have them compare wingspans and move the bigger folks to face in on the outside circle and narrower wingspans to face out from the inner circle.

Starts facing Partner opposite:

A1
(8 @ 1 beat/move) Clap two hands over (own! 🙂 ) left leg, under left leg, over right leg, under right leg, in front at waist, behind back at waist, in front again and then two handed “high five” with Partner
(8) Repeat pattern
[Encourage adjustments for mobility issues as required – can clap high/low instead of over/under leg, etc.]

A2
(8) Partner Right Elbow turn 1x
(8) Partner Left Elbow turn 1x (so back at starting spot)

B1
(8,8) Facing Circles or Big Oval to your own personal RIGHT (opposite direction from Partner) and back left
[as a keeper, left is return to Partner – as mixer, go one person past Partner to next]

B2
(keep or new) Partner Balance & Swing (two-hand, whatever – end in place, facing in or out)

End effects: Never out
Tune suggestions: Bouncy 32 bar jigs, marches – bouncy A1 is key to the fun!
Video:
See also: Probably some traditional dances that are similar…
First called by me at Hancock UCC Barn Dance on 1/20/2018.

The Right In Tension (a.k.a. Synchro de Mayo) – Becket – Don Veino 20180430

Type: Contra Dance, Becket Left/CW
Status: Proven

I’ve written a series of dances playing with the residual tension from the last contact in a roll-away and this one I feel is my simplest solution to date for it feeding a hey (suitable for a mixed crowd). Some of my related dances are listed in See Also below.

I find it very helpful to demo the roll to hey transition for dancers and stress keeping the tension of the last contact to pull into the first pass right of the hey. Once dancers get this they’re pleasantly surprised that the move works smoothly and feels great.

The secondary name for the dance honors first calling it on Cinco de Mayo 2018 and my coming up with another substitute term for Gypsy – using “Synchronize” (Sync) for the move.

A1
Slide Left, Ladies Allemande Right 1+1/2x
Neighbor Swing (end facing down)

A2
Line/4 Down the Hall, G1 turns alone while G2 does RH High, LH Low to all face up (swapping the Ladies)
Line/4 Up the Hall, Gents Roll Partner Lady Away (w/half sashay) and KEEP last HOLD tension to face P across

B1
(pull into) Partner Pass Right Full Hey (P by R, L1 & G2 by L, Same Role by R, G1 & L2 R, etc.)

B2
Partner Synchronize (a.k.a. Gypsy) & Swing

End effects:
Tune suggestions: well-phrased, driving.
Video:
See also: Lobster Roll, Rolling & Strolling, Proof of Concept, Shaken Not Stirred, Stirred Not Shaken, … (yep, there’s a lot of them!)
First called by me at the Berlin Country Orchestra dance in Berlin, MA on 5/5/2018.

Two Hearts Beat As One – DI – Don Veino 20180203

Type: Contra Dance, Duple Improper
Status: Proven

For my wife Sage on our 10th Valentine’s Day. Written independently but likely strongly inspired by my recollection of Don Flaherty’s Heartbeat Contra – the A parts are the same and the B parts are a sort of inverse, with a unique twist via a Gent’s Balance and Pull By.

A1
Ring/4 Balance, Petronella Slide/Twirl
Ring Balance, Petronella Slide/Twirl (now on side with N)

A2
Neighbor Balance & Swing

B1
Gents LH Balance & Pull By
Partner Swing

B2
Circle Left 3/4x, Ring/4 Balance
2s Arch, 1s Duck through to new Ring/4

End effects:
Tune suggestions: Jigs work great
Video: Monday Contras, 5/7/2018
See also: Heartbeat Contra by Don Flaherty
First called by me at the Concord Scout House Monday Contras dance on 5/7/2018.

Filet Mignon – DI – Don Veino 20170918

Type: Contra Dance, Duple Improper
Status: Proven

The instant I heard Simon Riopel’s tune L’Air Mignonne played by Eric Boodman I knew I must write a dance to match. This dance plays with dancer expectations re: Rory O’Moore moves, so it may take a couple of cycles for them to settle down into the A1 and then folks start to really smile and enjoy the tune. The dance had a couple of names through drafting but the final decision was made when Julie Metcalf told me she always associated “filet mignon” in conjunction with the tune – the band lobbied hard for that title. 🙂

I originally featured a “funky” hey in the B2 (see below) – it fits the music perfectly and has a nice “snap” ending action via a catch right, half allemande with Neighbor to re-form the starting wave… but it requires a careful teach/demo and some dancers simply never get it. The primary version below is a simplification with a more conventional hey, which can end ~1 beat early – so encourage dancers to relax into the overall easy going pace to form the wave on the last beat. (Feel free to go with the Funky version if you have a suitable crowd.)

Starts in Wave/4 across, Neighbor by Right and Ladies Left hands in center.

A1
Rory Wave Balance Right & Left, Twirl/Slide Right, Catch Left hand
Neighbor Allemande Left 1+1/4 to long waves (Gents face out)
[Progression]

A2
Wave Balance Fwd/Back, Box Circulate (G loop right, L cross set)
Partner Swing

B1
Circle Left 3/4, (the new) Neighbor Swing

B2
Full (actually, 15/16) Hey, Gents Pass LEFT to start – end with Ladies catch left, RH to N
OR
[“Funky Hey” (two rights don’t make it wrong) version B2: Ladies pass TWO RIGHTS (Lady, Partner) to start a Full Hey (then Gents pass Left in center, N by R, etc.) ending by catching Right with N for an Allemande Right 1/2x to reform the Wave across. The double pass at the start saves ~2 beats which then get tagged on for the ending N Allemande Right.]

End effects:
Tune suggestions: Simon Riopel’s tune L’Air Mignonne, obviously. 🙂
Video: “Funky Hey” Version at Monday Contras 5/7/2018
See also:
First called by me at Concord Scout House Monday Contras dance