Tag Archives: rory o’moore

Becky’s Boulder – DI – Don Veino 20180522

Type: Contra Dance, Duple Improper
Status: DRAFT

One of several related dances composed this date which were inspired by the new Becky Tracy tune Black Rock, off the Eloise & Co. album with Rachel Bell. Yeah, I love the tune. 😉

A1
Wave/4 across Balance Right & Left, Slide/Twirl Right
Wave/4 across Balance Left & Right, Slide/Twirl Left

A2
Neighbor Gypsy & Swing

B1
Give & Take to Gents, Partner Swing

B2
Pass the Ocean to Wave/4 across, Balance Fwd/Back
Gents Orbit 1/2x CW *WHILE* Ladies Allemande Left 1x and all step forward
[to new Wave/4]

End effects: none
Tune suggestions: Bouncy and driving – composed to match Becky Tracy’s tune Black Rock, others include Circular Reel (Daniel Boucher), Epic Reel (Keith Murphy), etc.
Video:
See also: Rockslide, You Caught My Eye
First called by PERSON at VENUE on DATE.

Rockslide – DI – Don Veino 20180522

Type: Contra Dance, Duple Improper
Status: Proven

One of several related dances composed this date which were inspired by the new Becky Tracy tune Black Rock, off the Eloise & Co. album with Rachel Bell. Yeah, I love the tune. 😉

I was lucky to have the privilege of dancing this one to Steve Zakon-Anderson’s calling with Becky and Keith (Murphy) playing their tunes – IIRC, they started with Keith’s Epic Reel and when they switched to Black Rock the energy in the room zoomed from a 10 up to 12!

A1
Wave/4 across Balance Right & Left, Slide/Twirl Right
Wave/4 across Balance Left & Right, Slide/Twirl Left

A2
Neighbor Balance & Swing

B1
Gents (low) LH Balance & Pull By, Partner Swing

B2
Ring/4 Balance, Petronella Slide/Twirl Right
Ring/4 Balance, California Twirl and form new wave/4
[CA Twirl and Gents shift to the ends to step into wave/4 with new Ns]

End effects: none
Tune suggestions: Bouncy and driving – composed to match Becky Tracy’s tune Black Rock, others include Circular Reel (Daniel Boucher), Epic Reel (Keith Murphy), etc.
Video: Portland (ME) In-Town Contra Dance (PICD) series 8/30/18
See also: You Caught My Eye, Becky’s Boulder
First called by Steve Zakon-Anderson at the 2018 CDSS Ogontz Family Camp.

You Caught My Eye – DI – Don Veino 20180522

Type: Contra Dance, Duple Improper
Status: Proven

For Sage, who caught my eye. ♥ One of several related dances composed this date which were inspired by the new Becky Tracy tune Black Rock, off the Eloise & Co. album with Rachel Bell. Yeah, I love the tune. 😉

A1
Wave/4 across (N by RH) Balance Right & Left/Back, walk Forward on Right Diagonal
New Wave/4 across (G by RH, N by LH) Balance Left & Right, Slide/Twirl Left

A2
Neighbor Gypsy & Swing

B1
Give & Take to Gents, Partner Swing

B2
Pass the Ocean to Wave/4 across, Balance Fwd/Back
Partner Allemande Right 1/2x, Gents center Left 1/2x, Neighbor Right 1/2x
[Ladies take LH to end in Wave/4 w/same Ns]

End effects: none
Tune suggestions: Bouncy and driving – composed to match Becky Tracy’s tune Black Rock, others include Circular Reel (Daniel Boucher), Epic Reel (Keith Murphy), etc.
Video: Concord Scout House Monday Contras series 10/15/18
See also: Rockslide, Becky’s Boulder
First called by me at Concord Scout House Monday Contras series on October 15, 2018.

Filet Mignon – DI – Don Veino 20170918

Type: Contra Dance, Duple Improper
Status: Proven

The instant I heard Simon Riopel’s tune L’Air Mignonne played by Eric Boodman I knew I must write a dance to match. This dance plays with dancer expectations re: Rory O’Moore moves, so it may take a couple of cycles for them to settle down into the A1 and then folks start to really smile and enjoy the tune. The dance had a couple of names through drafting but the final decision was made when Julie Metcalf told me she always associated “filet mignon” in conjunction with the tune – the band lobbied hard for that title. 🙂

I originally featured a “funky” hey in the B2 (see below) – it fits the music perfectly and has a nice “snap” ending action via a catch right, half allemande with Neighbor to re-form the starting wave… but it requires a careful teach/demo and some dancers simply never get it. The primary version below is a simplification with a more conventional hey, which can end ~1 beat early – so encourage dancers to relax into the overall easy going pace to form the wave on the last beat. (Feel free to go with the Funky version if you have a suitable crowd.)

Starts in Wave/4 across, Neighbor by Right and Ladies Left hands in center.

A1
Rory Wave Balance Right & Left, Twirl/Slide Right, Catch Left hand
Neighbor Allemande Left 1+1/4 to long waves (Gents face out)
[Progression]

A2
Wave Balance Fwd/Back, Box Circulate (G loop right, L cross set)
Partner Swing

B1
Circle Left 3/4, (the new) Neighbor Swing

B2
Full (actually, 15/16) Hey, Gents Pass LEFT to start – end with Ladies catch left, RH to N
OR
[“Funky Hey” (two rights don’t make it wrong) version B2: Ladies pass TWO RIGHTS (Lady, Partner) to start a Full Hey (then Gents pass Left in center, N by R, etc.) ending by catching Right with N for an Allemande Right 1/2x to reform the Wave across. The double pass at the start saves ~2 beats which then get tagged on for the ending N Allemande Right.]

End effects:
Tune suggestions: Simon Riopel’s tune L’Air Mignonne, obviously. 🙂
Video: “Funky Hey” Version at Monday Contras 5/7/2018
See also:
First called by me at Concord Scout House Monday Contras dance

Horseplay – DI – Don Veino 20170714

Type: Contra, Duple Improper
Status: DRAFT

A riff on our daughter Raeden’s Pony Fun, leveraging the A parts of that dance.

I’ve been on the lookout for an opportunity to get Gents in on the Rory O’Moore “super twirl across the set” fun – this one delivers it. The wave balance and Rory twirl here atypically cross the B1→B2 phrase boundary but will work out fine.

A1
(8) Star Left 1x
(8) This Neighbor Allemande Left 1+1/4x (and Lady tuck in behind N Gent to end facing CW around current group/4)

A2
(6,2) Single file Promenade CW 3/4x (to Gent’s home side with P), Ladies turn back over Right Shoulder
(8) Partner Swing

B1
(8) Long Lines Forward & Back
(4,4) Pass The Ocean, Short Wave Balance Right & Left

B2
(4) Slide/Twirl Right (Gents Super Twirl across to N)
(12) Neighbor Swing (and look away to new…)

End effects: None, couples cross over.
Tune suggestions: Bouncy jigs, French Canadian tunes.
Video:
See also: Pony Fun, Super Robin

Trip Through Athol – Becket – Don Veino 20170609

Type: Contra Dance, Becket CW/Left Formation
Status: Proven

US Route 2 is a significant road connecting contra dances in the eastern and western parts of Massachusetts (in particular at the Concord Scout House and Guiding Star Grange in Greenfield). To go from one to the other on Route 2 you pass through the town of Athol. Enunciate this dance title carefully! 🙂

Writtten in response to a calling colleague’s declaration that a Star 3/4 was “Evil, Don. Super evil.” See below links for other “not evil” Star 3/4 compositions.

A1
Circle Left 3/4x
Neighbor Swing

A2
(4,4) Ring Balance, Petronella Slide/Twirl 1pl Right (no clap)
(6) Star Left 3/4x
(2) Next Neighbor Allemande Right 1/2x (to long waves, G face in)

B1
(4,4) Wave Balance (fwd/back), Gents Cross, Ladies Loop (ends RH w/P, on away side)
(4,4) Wave Balance, Ladies Cross, Gents Loop (RH w/N, L @home)

B2
(4,4) Wave Balance, Gents Cross, Ladies Loop
(8) Partner Swing

End effects: Ends wait out crosssed over, enter via the A2 Allemande 1/2.
Tune suggestions: Atholl Highlander (contra 32 bar length version), Bouncy Jigs
Video: coming soon
See also: Shining Sparkle and Dance No Evil

First called by me at the Concord Scout House Monday Contras series 7/24/2017.

Interesting tidbit: there’s a song from another era which plays on these unique MA signs and towns with person names – some versions mention Athol in the lyrics.

Shining Sparkle – DI – Don Veino 20170609

Type: Contra Dance, Duple Improper
Status: Proven
Alternate Title: During testing this was temporarily known as “The 75% Solution” and “Stellar Redemption.”

While discussing a caller’s draft dance with colleagues, one persisted that a Star 3/4 was always “Evil, Don. Super evil.” I disagreed, asserting they do need a clear, defined end but were not necessarily evil. Having a dislike of absolutes, I worked up two response/proof of concept dances using a Star 3/4 – this one and Trip Through Athol. (Dance No Evil has now come since.)

The dance is named after one of our daughter’s stuffed “friends” (Shining Sparkle, who is a very magical unicorn) and I thought it fit well for a “not evil” Star. It can reward timely dancing with a satisfying *thwack* connection arising from the B part Star-Allemande to Wave sequence.

A1
Neighbor Balance & Swing

A2
Circle Left 3/4x
Partner Swing

B1
(8) LLFB
(6) Star Right 3/4x
(2) This Neighbor Allemande Right 1/2x (to long waves, G face in)

B2
Long Wave Balance Right & Left, Slide/Twirl Right
Long Wave Balance Left & Right, Slide/Twirl Left (to new N)

End effects: Probably less confusing if ends don’t participate in long waves and just wait for their Neighbor to come to them out of the B2.
Tune suggestions: Bouncy Jigs
Video:
See also: Trip Through Athol and Dance No Evil

First called by me at the East Sandwich, MA Grange on 6/17/2017.

Super Robin – DI – Don Veino 20170523

Type: Contra Dance, Duple Improper
Status: Proven

Dedicated to Robin Humes – family friend and super volunteer in service of the Concord Scout House area contra community. It’s only fitting this dance include a Mad Robin (besides the obvious eponymous link), because Bob Isaacs’ dance Redbeard Reel (commissioned by Robin for her husband – John Wasser) features one as well.

When mentioning the title, I think it’s fun to give it proper super hero intonation: “SUP-er Robin!” 🙂

A1
Neighbor Gypsy (or Balance) & Swing

A2
Mad Robin CW 1+1/4 (Gents start Forward & Right, to Wave Across, G by LH in center)
Short Wave Balance Right & Left, Twirl/Slide Right (Ladies Super Twirl across)

B1
Partner (Balance &) Swing

B2
Circle Left 3/4 to Wave (L by LH in center, facing progression)
Wave Balance Fwd/Back, Dance Fwd to next

End effects: Wait out crossed over
Tune suggestions: Note tune choice will affect A1 and B1 move selection. Dancers seem to enjoy twirling straight into the B1 Partner Swing.
Video: N/A
See also: N/A

First called by Linda Leslie at the Guiding Star Grange Extravadance on 5/27/2017.

Spring Fling – Becket – Don Veino 20170404

Type: Contra, Becket Left/CW
Status: Proven

A relatively simple/straightforward composition containing two uncommon points: a Mad Robin figure (easy, once taught – and which I feel flows wonderfully into a chain) and a Courtesy Fling*. Dancers often rush a Mad Robin which should work works well in this dance (I hope!) to provide a little bit of extra time for the Courtesy Fling. Significant Partner focus and Shadow anchor point in the wave should help make this suitable for a less than experienced crowd.

Composed while I was thinking about dances to call for the crowded Festival Orchestra session (in the HS Gym right after the Saturday Medley) at the 2017 New England Folk Festival. Melanie Axel-Lute called this during our shared session.

A1
Slide Left, Ladies Pass Right shoulders to cross
Neighbor Swing
Alternative:
On left diagonal, Circle Left 3/4x
Neighbor Swing

A2
(~6) Mad Robin (CCW/Ladies through the center Rt->Lt to start)
(~10) Ladies Chain (to P) with Courtesy Fling* (ending in long waves, Ladies facing out & Gents in)
[LH with P and RH with Shadow in wave]

B1
Rory O’Moore Wave Balance Right & Left, Slide/Twirl Right
Rory O’Moore Wave Balance Left & Right, Slide/Twirl Left

B2
Partner Balance & Swing

End Effects: When in the last place still in the dance, you’ll do the wave balance sequence with ghosts if nobody is out. When waiting out, do the waves with whomever comes at you and then wait on the left diagonal for the circle start.

*The Courtesy Fling is a conventional Courtesy Turn with the motion for the Ladies extended in an arc around the still connected left hands to end facing the opposite of the Gents. In this dance it results in a long wave.

Video: 2017 New England Folk Festival – Melanie Axel-Lute calling, with music by the Festival Orchestra.

Slice AlleMANde – Becket – Don Veino 20160918

Type: Contra, Becket
Status: DRAFT

One of two takes on a similar theme – for a less zesty dance, see my Slicing the Waves.

A1
Slice Forward Left
Gents Allem Rt 3/4 *WHILE* Ladies Loop over their Left shoulder 3/4 to face CCW on the side
[All give P LH to form a wave]
Wave Balance Rt & Lt, Gents Rory Slide/Twirl Right to cross set to N

A2
Neighbor Balance & Swing

B1
Ladies Chain
Half Hey, Ladies Start by Right

B2
Partner Balance & Swing

Slicing the Waves – Becket – Don Veino 20160918

Type: Contra, Becket
Status: DRAFT

One of two takes on a similar theme – for a zestier dance see my Slice AlleMANde.

A1
Slice Forward Left, to Gents form Wave in Center
Gents Wave Balance Right & Left *WHILE* Ladies Fall Straight Back
[or even better, Ladies Loop over their Left shoulder 3/4 to face CCW on the side]
Gents Allemande Right 3/4 to short Wave, P in LH, Wave Balance

A2
Gents Rory Slide/Twirl Right to cross set to N
Neighbor Swing

B1
Ladies Chain
Half Hey, Ladies Start by Right

B2
Partner Balance & Swing

Reluctant Robin – Becket – Don Veino 20161103

Type: Contra, Duple Improper
Status: Public, Proven

I really like Mad Robins, just in case that isn’t obvious. I was wondering what else could be done with them, whether they could be used as a progression, facing direction changed, etc. This dance came out of some of that thinking.

First called at David Kaynor’s Friday Night Dance at the Greenfield, MA Grange on 11/14/2016.

A1
Gents Allemande Left 1+1/2
Half Hey, pass N by Right to start

A2
Neighbor Balance & Swing

B1
Mad Robin 1+1/2, Gents through Center 1st, Lt-Rt/CW
[ending in long waves with Gents Facing OUT, Ladies In (this N by RH), looking at P’s back]
Long Wave Balance Right, Left, Slide Right
#PROGRESSION

B2
Long Wave Balance F&B, Box Circulate (Gents Loop, Ladies Cross)
Partner Swing

End Effects: Wait out crossed over to join the second long wave in B2

Alternative A1, not yet tried…
L Chain to N
L Gypsy Rt 1x
Back to…

Seasons 4 – 4 Face 4 – Don Veino 20161204

Type: 4 Facing 4
Status: DRAFT, Experimental (Contra dancers doing a Pass the Sea?)
Tune suggestion: Thomas Shrug’s March

This is one of several of my dances in a series of “Oceans” and “Seasons” compositions which bring Ocean or Sea Waves into a 4 Facing 4 dance. It embeds a same role Hey in the center of the dance while the other role does a classic square dance (NOT Box) Circulate (called “Orbit” here for contra dancers).

I’ve NOT called or walked through this dance with dancers yet. Should you give it a go, please let me know.

A1
Give & Take (Up/Down), Gent take Neighbor Lady back and Swing

A2
(4,4) Pass the Sea* (Up/Down), Sea Wave Balance Fwd/Back
[NOTE all Ladies are on outside oval facing counter clockwise, Gents are inside facing CW]
(8) Simultaneously:
     Gents in center Half Hey (across – Gents facing center start passing LEFT)
*WHILE*
     Ladies Circulate 2 Places (wrap around ends) [I TEACH/CALL THIS AS AN ORBIT 1/2 to stay with more typical contra language for dancers]
[Form similar Ocean Waves aligned up/down with LEFT Hand to same G&T Neighbor]

B1
Rory Wave Balance Left (toward N) & Right, Twirl/Slide Left
Rory Wave Balance Right & Left, Twirl/Slide Right (Gents Super Twirl to P)

B2
Partner Balance & Swing, end facing progression

*Pass the Sea is a reverse role/direction Pass The Ocean. Ladies walk to the far side, presenting left hand to the Gent they started next to, who has right hands in the center with the other Gent.

So why not the following A2? Because the Gents will arrive ~2 beats early at their spot and possibly overshoot it. This dance is not going to be called with a beginner crowd and, if the dancers can’t handle a Hey, you probably shouldn’t be calling this one.

A2
(4,4) Pass the Sea (Up/Down), Sea Wave Balance Fwd/Back
[NOTE all Ladies are on outside oval facing counter clockwise, Gents are inside facing CW]
(8) All Circulate 2 Places (wrap around ends, stay in role oval)
[Form similar Ocean Waves aligned up/down with LEFT Hand to same G&T Neighbor]

Oceans 8 – 4 Face 4 – Don Veino 20161204

Type: 4 Facing 4
Status: DRAFT
Tune suggestion: Thomas Shrug’s March

This is one of several of my dances in a series of “Oceans” and “Seasons” compositions which bring Ocean or Sea Waves into a 4 Facing 4 dance. It embeds a same role Hey in the center of the dance while the other role does a classic square dance (NOT Box) Circulate (called “Orbit” here for contra dancers).

I’ve NOT called or walked through this dance with dancers yet. Should you give it a go, please let me know.

A1
Give & Take (Up/Down), Lady take Neighbor Gent back and Swing

A2
(4,4) Pass the Ocean (Up/Down), Wave Balance Fwd/Back
[NOTE all Gents are on outside oval facing clockwise, Ladies are inside facing CCW]
(8) Simultaneously:
     Ladies in center (across) Half Hey (Ladies facing center start passing Right)
*WHILE*
     Gents Circulate 2 Places (wrap around ends) [I TEACH/CALL THIS AS AN ORBIT 1/2 to stay with more typical contra language for dancers]
[Form similar Ocean Waves aligned up/down with Right Hand to same G&T Neighbor]

B1
Rory Wave Balance Right (toward N) & Left, Twirl/Slide Right
Rory Wave Balance, Twirl/Slide Left (Ladies Super Twirl to P)

B2
Partner Balance & Swing (end facing progression)

So why not the following A2? Because the Ladies will arrive ~2 beats early at their spot and possibly overshoot it. This dance is not going to be called with a beginner crowd and, if the dancers can’t handle a Hey, you probably shouldn’t be calling this one.

A2
(4,4) Pass the Ocean (Up/Down), Wave Balance Fwd/Back
[NOTE all Gents are on outside oval facing clockwise, Ladies are inside facing CCW]
(8) All Circulate 2 Places (wrap around ends)
[Form similar Ocean Waves aligned up/down with Right Hand to same G&T Neighbor]

Another 30 Years – DI – Don Veino 20161203

Type: Contra Dance, Duple Improper
Status: Public, Proven

I asked several of our excellent local (for most of you they’re touring) musicians if there were any tunes that they’d love to play for a contra dance – but which they couldn’t, for some reason due to unusual phrasing, etc. – such that I might write a dance to match. Max Newman came back with the tune 30-års jiggen 30 Year Jig by the Swedish trio Väsen. This is a 40-bar tune with unique B-parts phrasing.

I wrote another dance that fit well but was pretty fiddly so I decided to put that one away and try again anew and this was the result. The A1 is probably strongly influenced by my experience with Lisa Greenleaf’s Further and More and Bob Isaacs’ United We Dance – sharing their A1 moves.

We gave it a successful go at the Monday Contras series at the Concord Scout House on 12/19/2016. Request that the musicians keep from going totally artsy on the tune or dancers will wander a bit in the Bs (keep strong 8 beat phrase hinting – not too softly played).

Starts in long waves at the sides, Gents facing out

A1
(4,4) Rory-style wave balance Right & Left, slide/twirl Right
(4,4) Rory-style wave balance Left & Right, slide/twirl Left

A2
(4,12) Neighbor Balance & Swing

B1
(8) Long Lines Forward & Back
(6,10) Circle Left 3/4x, Partner Swing

B2
(8) Ladies Chain
(16) Full Hey, Ladies Pass Right to start
[ends in waves at side, prior N by LH, new N by RH]