Tag Archives: down the hall

Dreaming of Dolphins – DI – Don Veino 20190123

Type: Longways, Duple Improper
Status: Proven

The title pretty much says it all. I was in a period where I was thinking about Dolphin Heys repeatedly, generating gobs of DH dances. Between this Duple Improper dance and two other 4-Face-4 compositions, From Here to Dolphinity and To Dolphinity and Beyond, I feel like I’ve got to where I wanted and the urge should finally be out of my system.

I’m pretty pleased with this – it incorporates some feel of the traditional dance Devil’s Dream plus the Down The Hall/Turn As Couple and Up The Hall/Cross Trail idea I found in The Campbells are Coming. Feedback from the first trial was extremely positive. I hope to get a chance to dance it someday! ๐Ÿ˜‰

I think of this as a contra dance but it’s sort of a crossover contra/ECD composition… so I’ve labeled it as simply a longways duple improper here.

As this is an uneven dance, I recommend multiple shorter lines to give everyone a chance at playing dolphin. I start the walk through at A2 and finish with the A1 then have dancer couples swap places to retake hands four for a second quick walk through from A2 with the twos active. Reset and start at A1.

A1
Neighbor Balance & Swing

A2
LLF&B, 1s Swing
[face NEW 2s below] [NOTE this NBR!]
#progression

B1
Dolphin Hey, Centers/1s as couple passing solo LDY/RVN 2 by LEFT
[end with Centers facing down, Outsides facing UP]

B2
1s in Center DTH, Turn as CPL /*WHILE*/ 2s Outside UTH, Turn Alone
As Return, 1s Cross Trail to “Hey” NBR &…

Contra Variations (included only for completeness – I strongly prefer the above): Twos can stay put in B2 to anchor the set. Everyone could turn alone in B2 and omit the Ones Cross Trail into the A1 Balance (or Gypsy) & Swing.

From an ECD standpoint: A1 would likely be better as Gypsy & actives Two Hand Turn. The remainder would involve the ECD equivalents of the contra terms.

End effects: Be aware of the change in couple roles at the ends.
Tune suggestions: Of course Tom Kruskal’s – the “international standard” tune for Dolphin Hey dances. ๐Ÿ˜‰ Other suitably regal yet driving tunes.
Video: First trial at Concord Scout House Monday Contras Series on 1/28/19.
See also: My other related dances, including So Long And Thanks For All The Fish, Fun With Flipper, From Here to Dolphinity and To Dolphinity and Beyond.
First called by me at Concord Scout House Monday Contras Series on 1/28/19.

Bonus Round/Repeatronella (in Dublin) – DI – Don Veino 20180726

Type: Contra Dance, Duple Improper
Status: Proven

This is a set of dances approaching the same two-Neighbor-Swing theme in different variations. Dancers seem to really like these and they can scale in difficulty from working with more beginner dancers or as a “dance trance” later program slot with experienced folk, through to some uniqueness with the “in Dublin” variations.

I sometimes use the base versions of these as a way to compensate after calling a beginner friendly no-Neighbor-Swing dance like Delphiniums and Daisies for a mixed capability crowd. One can also play with calling the variations in different combinations in a single program slot.

BONUS ROUND

A1
LLFB, (New) N Swing

A2
Line/4 Down the Hall, turn as couple,
Line/4 Up the Hall, bend the line
[“in Dublin” variation:
Line/4 Down the Hall as in Dublin Bay*,
Line/4 Up the Hall as in Dublin Bay, bend the line]

B1
Circle Left 3/4x, Partner Swing

B2
Circle Left 3/4x, Neighbor Bonus Swing

REPEATRONELLA

A1
LLFB, (New) N Swing

A2
Line/4 Down the Hall, turn as couple,
Line/4 Up the Hall, bend the line
[“in Dublin” variation:
Line/4 Down the Hall as in Dublin Bay,
Line/4 Up the Hall as in Dublin Bay, bend the line]

B1
Ring/4 Bal, Petronella to Partner Swing

B2
Ring/4 Bal, Petronella to Neighbor Repeat Swing

*Down|Up the Hall as in Dublin Bay: Line/4 takes 4 steps down, dancers turn single (in this dance, toward Neighbor as they do) to face up to re-form the line and continues down the hall 4 steps. Line/4 takes 4 steps up, turns single to face down, and continues up the hall.
Should be used sparingly – some dancers have a strong aversion to backing up blind.

End effects: none
Tune suggestions: high energy tunes – Repeatronella and “in Dublin” variations require strong 4 beat chunks – or smooth/flowing for Bonus Round, as a breather between higher energy dances.
Video: Repeatronella variation at Concord Scout House Monday Contras series, Bonus Round variation at Portland, ME PICD
See also:
First called by me at several places on several dates starting with Bonus Round in Dublin at Mystic, CT Pie Dance on 7/28/18 with Gotham Carnival Trio.

Hey, Ack is Back! – DI – Don Veino 20180711

Type: Contra Dance, Duple Improper
Status: DRAFT

Named in celebration of Lynn Ackerson having completed her Veterinary Tech program and, hopefully, her return to the contra dance community. Lynn’s an all around good egg and was very welcoming and helpful to me as I started calling contras. Until deep in her school program, she was the person that organized and put together the contra medleys for the first few times I called the New England Folk Festival. Welcome back, Lynn!

A1
Neighbor Balance & Swing

A2
Down and Up the Hall as in Dublin Bay, bend the line
[Dublin Bay = 4 steps facing down, turn alone, continue down backing up 4 steps. Come back up in similar style.]

B1
Ring/4 Balance, Petronella Slide/Twirl 1 place, Partner Swing on side

B2
Gents LH Open Chain (G Pull By Left, N Allemande Right 3/4x) [or actual Gent’s Chain w/Courtesy Turn]
Half Hey (Gents Pass Left) to next

End effects:
Tune suggestions: Bouncy/driving high energy
Video:
See also: Butty Dance
First called by PERSON at VENUE on DATE

(Home Again, Home Again) Jiggity Jig – DI – Don Veino 20180430

Type: Contra Dance, Duple Improper
Status: Proven

This dance was a bonus spin-off while thinking through my dance The Right In Tension. It was intended to be useful as an easy frame for the Right Hand High, Left Hand Low move suitable for community dances, etc.

The name here comes from my youth – I was the only one in the family with a car at one point and used to drive the extended family to the supermarket. As we’d turn the corner to approach my grandmother’s home I’d always hear her chime from the back seat “home again, home again, jiggity jig” as she’d dig the house keys out of her purse.

A1
Neighbor Balance & Swing (end facing down)

A2
Line/4 Down the Hall, G1 turns alone while G2 does RH High, LH Low w/Ladies to all face up (swapping the Ladies)
Line/4 Up the Hall, Pivot to face Partner

B1
Partner Balance & Swing

B2
Long Lines Forward & Back
Ladies Pull by Right, Neighbor Allemande Left 1/2x and step forward to next Neighbor

End effects:
Tune suggestions: strong marches, driving tunes – and, of course, jigs.
Video:
See also: The Right In Tension

First called by me at the Worcester Contra Dance in MA on 6/8/2018.

The Bubbles Incident – Becket – Don Veino 20180620

Not THE bubbles incident - but close to another!
Not THE bubbles incident – but close to another!
Type: Contra Dance, Becket Left/CW
Status: DRAFT

I was playing with new ways to do a Down-the-Hall dance – in particular, how to achieve the progression. I hit on the idea of a ring of dancers going down and then twirling to change facing direction into a new ring before coming back up… and realized this could work in a duple longways as well as a 4-face-4 setting – this is the longways dance.

The title here was inspired by an event with our daughter in her first grade class at school. They were doing bubble painting, where the kids blow bubbles into liquid tempera paint with glycerin and then use the bubbles to create a design on paper. However, our daughter got so carried away with the fun and laughing that she forgot you needed to blow out and ended up sucking the painty bubbles into her mouth – yuck! The rings/4 here reminded me of the bubbles in that infamous family incident.

While not yet tried out, I expect youโ€™ll want to have the lines stretch down a bit to make room for rings/4 going down the hall… but not too far.

A1
Long Lines Forward & Back
Circle RIGHT 3/4x (to the 1s face up, 2s down)

A2
(~7) Ring/4 Down the Hall (2s are walking forward, 1s backward as the 2s steer)
(~2) Turn Alone (inwards, glance at partner as continue turning to face next couple)
(~7) New Ring/4 Up the Hall (2s are walking forward, 1s backward as 2s steer)

B1
Ring/4 Balance, Gent Roll Partner Away across
Neighbor Swing

B2
Ladies Allemande Right 1+1/2x (Alt.: Circle Left 3/4x), Partner Swing

End effects: Wait out Indecent (Gent on Right, Lady Left) to enter the A2 Ring. The rest is somewhat straightforward but just to be complete: twos pay attention to the lineโ€™s movement so as to be in place to form the new ring at the bottom (and scoot out of the way when ejected at the top). New ones wait out at the top for the twos to come up the hall to you.
Tune suggestions:
Video:
See also: the 4-Face-4 mentioned above and another slightly crazier DI dance (coming soon!)

First called by PERSON at VENUE on DATE

The Right In Tension (a.k.a. Synchro de Mayo) – Becket – Don Veino 20180430

Type: Contra Dance, Becket Left/CW
Status: Proven

I’ve written a series of dances playing with the residual tension from the last contact in a roll-away and this one I feel is my simplest solution to date for it feeding a hey (suitable for a mixed crowd). Some of my related dances are listed in See Also below.

I find it very helpful to demo the roll to hey transition for dancers and stress keeping the tension of the last contact to pull into the first pass right of the hey. Once dancers get this they’re pleasantly surprised that the move works smoothly and feels great.

The secondary name for the dance honors first calling it on Cinco de Mayo 2018 and my coming up with another substitute term for Gypsy – using “Synchronize” (Sync) for the move.

A1
Slide Left, Ladies Allemande Right 1+1/2x
Neighbor Swing (end facing down)

A2
Line/4 Down the Hall, G1 turns alone while G2 does RH High, LH Low to all face up (swapping the Ladies)
Line/4 Up the Hall, Gents Roll Partner Lady Away (w/half sashay) and KEEP last HOLD tension to face P across

B1
(pull into) Partner Pass Right Full Hey (P by R, L1 & G2 by L, Same Role by R, G1 & L2 R, etc.)

B2
Partner Synchronize (a.k.a. Gypsy) & Swing

End effects:
Tune suggestions: well-phrased, driving.
Video:
See also: Lobster Roll, Rolling & Strolling, Proof of Concept, Shaken Not Stirred, Stirred Not Shaken, … (yep, there’s a lot of them!)
First called by me at the Berlin Country Orchestra dance in Berlin, MA on 5/5/2018.

The Devils A Swinger – DI – Don Veino 20171012

Type: Contra Dance, Duple Improper
Status: DRAFT

The actual title of this dance is “The Devil’s A Swinger” but WordPress currently won’t show the post if any form of apostrophe is used in the post title, so this is the second try without the punctuation. ๐Ÿ™

A respin on the traditional dance Devil’s Dream to incorporate swings yet retain much of the tradtional feel. This dance was inspired by the posting of Devil’s Dream on the Shared Weight Caller’s List – I really liked the A parts action of that traditional dance but know there would be dancer complaints about the no swings situation were I to call it at an average dance in the USA. I put a wrinkle in the A parts here (vs. Devil’s Dream) to get the dancers across the set and then set up and add the swings. I’ve refactored this further to create I ♥ Devil Dogs.

Starts with the 1s facing down in the center and 2s facing up on the outside.

A1
(6,2) 1s go down center/2s go up outside – 1s turn as couple, 2s turn alone
[I’d probably teach/prompt “centers as couples, outsides turn alone” as it fits both instances]
(6,2) 1s go up center/2s go down outside – Handy Hand Allemande 1/2x same role Neighbor to 2s in center

A2
(6,2) 1s go down outside/2s go up center – 2s turn as couple, 1s turn alone
(6,2) 1s go up outside/2s go down center – Right Hand Allemande 1/4x opposite role Neighbor
[NOTE: Couples promenade in the same direction both times]

B1
Half Hey (G Pass Left to start)
Neighbor Swing

B2
Long Lines Forward & Back [Alternative: Circle Left 1x]
1s Swing in Center, all face progression

End effects: Be mindful of the differences when changing couple numbers at the ends.
Tune suggestions:
Video:
See also: I ♥ Devil Dogs, The Devil’s Dream (below)

First called by PERSON at VENUE on DATE [include links as appropriate]

Here’s the original traditional dance:

The Devil’s Dream – DI – Traditional

A1
1s face down and lead down the centre while the 2s face up and go up the outside
all turn alone and lead back to give neighbour nearest hand and half turn neighbour

A2
1s facing down the outside and 2s up the middle: lead up or down again
you promenade in the same direction both times
all turn alone and lead back to give left hands to neighbour

B1
turn neighbour into a full ladies chain across

B2
half promenade neighbour across set
half right and left back

I ♥ Devil Dogs – DI – Don Veino 20171012

Type: Contra Dance, Duple Improper
Status: DRAFT

Yep, named for the snack cake that was my second favorite in the Drake’s lineup when I was a kid, right behind Ring Dings and just before Yodels. OK, so maybe behind Yodels too. ๐Ÿ™‚

A respin on the traditional dance The Devil’s Dream to incorporate Partner and Neighbor swings. This dance is a further refactoring of my contemporaneous dance The Devil’s A Swinger.

Starts with the 1s facing down in the center and 2s facing up on the outside.

A1
(6,2) 1s go down center/2s go up outside – 1s turn as couple, 2s turn alone
[I’d probably teach/prompt “centers as couples, outsides turn alone” as it fits both instances]
(6,2) 1s go up center/2s go down outside – Handy Hand Allemande 1/2x same role Neighbor to 2s in center

A2
(6,2) 1s go down outside/2s go up center – 2s turn as couple, 1s turn alone
(6,2) 1s go up outside/2s go down center – Right Hand Allemande 1/4x opposite role Neighbor
[NOTE: Couples promenade in the same direction both times]

B1
Gents Cross
Partner Swing

B2
Give & Take to Gents (N Swing), all face progression
[Alternative: Circle Left 3/4x, Neighbor Swing, all face progression]

End effects: Be mindful of the differences when changing couple numbers at the ends.
Tune suggestions:
Video:
See also: The Devil’s A Swinger, The Devil’s Dream (below)

Just FYI, the title is pronounced “I Heart Devil Dogs.”

First called by PERSON at VENUE on DATE [include links as appropriate]

Here’s the original traditional dance:

The Devil’s Dream – DI – Traditional

A1
1s face down and lead down the centre while the 2s face up and go up the outside
all turn alone and lead back to give neighbour nearest hand and half turn neighbour

A2
1s facing down the outside and 2s up the middle: lead up or down again
you promenade in the same direction both times
all turn alone and lead back to give left hands to neighbour

B1
turn neighbour into a full ladies chain across

B2
half promenade neighbour across set
half right and left back

Strolling & Rolling – Becket – Don Veino 20170725

Type: Contra Dance, Becket Left/CW
Status: DRAFT

This dance sprang out of my interest in doing something unique out of a Partner Roll Away. I’ve experienced other callers’ attempts at making a roll away feed something with Partner focus like a roll to a swing – and there’s always been some significant flow issue, because the lingering tension from the last contact in the roll got in the way. This dance was crafted specifically to use that tension to launch the next action: entering a hey.

This is most likely an intermediate level dance due to the need for timely and slightly differing action in the A2 as well as the need for good dancer technique to make the roll to heys timing work and everyone end up in the right places. Because all the hey action is focused on Partners, the dance should provide effective recovery points that would keep it out of “advanced” territory.

So far this dance has been walked through successfully but not yet called/danced. I’ve since leveraged this roll to hey into a 4 Face 4 dance, Lobster Roll.

A1
Left Diagonal Circle 3/4x, Swing Neighbor
[first time through, circle is straight across]

A2
(8) Ladies Chain (to P) to face down the hall (so Courtesy Turn = different fractions for 1s and 2s)
(6,2) Down the Hall in Line/4, Gents Roll Partner w/HS (face Partner across set)

B1
Half Hey (pass P Left to start, end in mirror position of start, facing up, Ladies on left of P)
(6,2) Up the Hall in Line/4, Gents Roll Partner w/HS (face P across set)

B2
Half Hey (pass P Right to start, end in mirror position of start, facing P)
Partner Swing

End effects: Wait out on left diagonal to enter in the circle
Tune suggestions: Strongly phrased/driving smooth tunes
Video:
See also: Lobster Roll, The Right In Tension

First called by PERSON at VENUE on DATE

(Riding in the) Zoomy Car – DI – Don Veino 20170717

Type: Contra Dance, Duple Improper
Status: Proven

The A parts of this composition were inspired by Lindsey Dono’s work-in-progress composition Working Title (WT), which I’d become involved in discussing. Lindsey, several others and I were challenged to date in finding a smooth two-swing resolution to Working Title’s unique/signature compound-action Figure 8 and Hole in the Wall A parts.

However, after reporting back my best attempt on that to Lindsey, my brain wouldn’t let go of the feel of the dance and I came up with the following re-imagining on WT‘s A parts theme and married it to one of the B parts solutions I’d offered up for Working Title (which worked in that context only if the “half” Figure 8s in that dance included a second cross-over for the actives – becoming a “5/8ths Figure 8”?).

The title for this one is again inspired by our daughter Raeden. My sports car has remained in the garage for the 5 years since her birth (car seats are unsafe in two-seaters). Raeden loves speed/curves/inertia and frequently talks about a future day “when I’ll get to ride in Daddy’s zoomy car.” The swooping action of this dance reminded me of her dream – which I look forward to fulfilling soon.

A1
2s Handy Hand Gate 1s 1+1/4x (mirror move)
[Simpler alternative: Long Lines Forward & Back]
1s Half Figure 8 down through 2s (around same role and above to center of line/4 facing down, L2,L1,G1,G2)

A2
Line/4 Down the Hall, bend line
[pssst: the bend is actually a 1s Gate 2s 1/2x – but they don’t need to know that if you did LLFB in A1]
2s Half Figure 8 up through 1s (around opposite role and below to center of line/4 facing up)
[to G1,L2,G2,L1 from dancer’s perspective (or L1,G2,L2,G1 from stage)]

B1
Line/4 Up the Hall; Gent 1 lets go, the Twos arch* via Gent doing Left Hand High/Right Low to shoot Lady 1 through to Gent 1
Partner Swing
[*note Lady 2 continues walking forward during Left High/Right Low move to make space for Lady 1 to pass through straight across and can keep hands directly into the Swing]

B2
Gents Allem Left 1+1/2x
Neighbor Swing (and take [handy] hand with next…)
[Alternative for Allemande: Give & Take in some form to Ladies]

End effects: Be mindful of how your action changes when crossing over at ends
Tune suggestions: Marches, strongly phrased romantic tunes
Video: Princeton, NJ
See also: Lindsey Dono’s work-in-progress Working Title

First called by me at the Princeton, NJ Country Dancers contra on 7/19/2017 with LLFB option in A1.

I ♥ Faeries – DI – Don Veino 20170125

Type: Contra Dance, Duple Improper
Status: Public, Proven

Writtten in response to a challenge on the Shared Weight Caller’s Discussion List, here’s my take on a non-glossary way out of the Dublin Bay style Down-the-Hall figure – via a believed unique twist on a Mad Robin. First called (by me) at the Thursday Contras dance at the Concord Scout House on February 2, 2017. For a further simplified take on this theme, see my dance I ♥ Unicorns. The “♥” in the title is spoken as “Heart.”

A1
Neighbor Balance & Swing, end facing down (Twos in center)

A2
Line/4 DTH and Back, Dublin Bay Style
(4 steps fwd down the hall, turn single to face up, continue 4 steps down in reverse, 4 steps fwd up the hall, turn single to face down, continue 4 steps up in reverse)
Bend the line (so Twos are above the Ones)

B1
Mirror Mad Robin – Ones Through the Center First (starting up towards head of the hall)
[G1 and L2 dyad moving CW, L1 and G2 moving CCW]
1s Swing in Center, end facing UP

B2
1s Half Figure 8 up through the 2s (around opposite role N, to end BELOW – improper and facing progression)
2s Swing, end facing UP

Tune suggestion: Becky Tracy’s Black Rock
Video Link(s): Concord Scout House Thursday Contras 2/2/2017

I ♥ Unicorns – DI – Don Veino 20170203

Type: Contra Dance, Duple Improper
Status: Public, Proven

The “♥” in the title is spoken as “Heart” – the title for this dance was given by our 5 year old daughter Raeden and inspired the unique Mirror Mad Robin and half Figure Eight in the choreography. First called (by me) at the Monday Contras dance at the Concord Scout House on February 13, 2017. This dance was a simplification of my first take on this theme, I ♥ Faeries.

NOTE: All swings in this dance end facing down.

A1
Neighbor Balance & Swing, end facing down (Twos in center)

A2
Line/4 DTH – Turn as a Couple – Return, Bend the Line (so 2s above 1s)

B1
Mirror Mad Robin – Twos Through the Center First (starting down towards foot of the hall)
[G1 and L2 dyad moving CCW, L1 and G2 moving CW]
Twos Swing in Center, end facing DOWN

B2
Twos Half Figure 8 DOWN through the Ones (around opposite role N, to end above – improper and facing progression)
Ones Swing, end facing DOWN