Category Archives: Triplet

Fun With Flipper – Triplet – Don Veino 20181006

Type: Proper Triplet
Status: Proven

Flipper approval graphic
Shouldn’t this be a Dolphin of Approval?

Yep, I’ve been on a real Dolphin Hey compositions run – which led me to research the history of that move back toward its origin. It appears the Dolphin Hey first appeared in the modern era Scottish Country Dance Pelorus Jack out of New Zealand, named after a famous dolphin there. I saw the opportunity for this triplet to use the Dolphin Hey in essentially the same way as the original Scottish dance but with differences in the formation, set up for the move and the exit. While the Scottish dance is done with skipping steps to a particular jig, this triplet is intended to be danced with a typical contra/ECD walking step.

A1
(4,4) Lines/3 Forward and Back
(4) Ones Cross and Go Below 1 Couple (as Twos shift up)
(4) Ones Allemande Right ~3/4x (to Gent 1 face Lady 2, Lady 1 falls in behind Partner)

A2
(8) Ones Pass Lady 2 Right for a Half Dolphin Hey* w/Second Diagonals and then to their right
(half = Second Diagonals swapped, Ones back in center)
(8) Ones Pass Gent 2 Right for a Half Dolphin Hey w/First Diagonals and to their right
(First Diagonals swapped)

B1
Ones Pass Lady 2 Right for a Half Dolphin Hey w/Second Diagonals and to their right
(Second Diagonals swapped back)
Ones Pass Gent 2 Right for a Half Dolphin Hey w/First Diagonals and end below the Threes, facing Partner
(First Diagonals swapped back, all but Ones are Proper, couples are in 2-3-1 order)

B2
All Partner Balance and Swing
[end Proper (as if facing up, 2-3-1 order) and face Partner across]

*Dolphin Hey: a hey for four traveling the path of a hey for three. One “couple” (in this dance, the Ones) travel as a unit while the other dancers travel solo. The couple stays in their respective orientation relative to the hall so they alternate the lead position as they travel the heys together, sweeping wide at the corners to trade the lead. In this dance that means Gent 1 leads up & out to the right, then Lady 1 leads the pass down & across the set, Gent 2 leads down & right and it ends with Lady 1 leading up and across the set toward the bottom. The pattern in this dance for the ones looks a lot like a Mac Command Key symbol

End effects: N/A
Tune suggestions: Energetic with strong 8 beat hinting and a nautical feel – e.g.: Quindaro Hornpipe, Fisher’s Hornpipe, etc.
Video: Pelorus Jack Scottish Country Dance: History, Easy to Follow
See also: Pelorus Jack Scottish Country Dance, my Dolphin Series dances
First called by me at Concord Scout House Monday Contras series on 10/8/2018.

The Mighty Mommy Mole – Proper Triplet – Don Veino 20160327

Type: Proper Triplet
Status: Proven

This is my first Triplet dance. I was inspired to come up with this after seeing Bob Isaacs’ dance Cinnamon Cruller on the SharedWeight Caller’s List. I love the transition from the star into the big circle in the traditional dance British Sorrow and strove for a similar feel in the B2 of this dance. This dance is unusual in having the Twos be the active couple.

A1
(16) 2s Full Figure 8, starting below through the 3s
[2s down center around opposite role 3s below, then up center around same role 1s (back to place)]

A2
(16) 2s turn Contra Corners (w/opposite role Corners)

B1
(4,12) 2s Balance & Swing in center/middle, end facing up (1s face down)
[1s & 2s Form Ring, 3s Take Hands with Partner]

B2
(4,4) All Balance, Two-Hand Turn Left 1/2 or Circle Left 1/2 (becoming improper)
[1s below 2s, all open out to…]
(8) All Circle/6 Left 1/2 (all back to proper
[ending 3-1-2]

First called by me at Berlin, MA Contra dance 20160402