Tag Archives: figure 8

(Riding in the) Zoomy Car – DI – Don Veino 20170717

Type: Contra Dance, Duple Improper
Status: Proven

The A parts of this composition were inspired by Lindsey Dono’s work-in-progress composition Working Title (WT), which I’d become involved in discussing. Lindsey, several others and I were challenged to date in finding a smooth two-swing resolution to Working Title’s unique/signature compound-action Figure 8 and Hole in the Wall A parts.

However, after reporting back my best attempt on that to Lindsey, my brain wouldn’t let go of the feel of the dance and I came up with the following re-imagining on WT‘s A parts theme and married it to one of the B parts solutions I’d offered up for Working Title (which worked in that context only if the “half” Figure 8s in that dance included a second cross-over for the actives – becoming a “5/8ths Figure 8”?).

The title for this one is again inspired by our daughter Raeden. My sports car has remained in the garage for the 5 years since her birth (car seats are unsafe in two-seaters). Raeden loves speed/curves/inertia and frequently talks about a future day “when I’ll get to ride in Daddy’s zoomy car.” The swooping action of this dance reminded me of her dream – which I look forward to fulfilling soon.

A1
2s Handy Hand Gate 1s 1+1/4x (mirror move)
[Simpler alternative: Long Lines Forward & Back]
1s Half Figure 8 down through 2s (around same role and above to center of line/4 facing down, L2,L1,G1,G2)

A2
Line/4 Down the Hall, bend line
[pssst: the bend is actually a 1s Gate 2s 1/2x – but they don’t need to know that if you did LLFB in A1]
2s Half Figure 8 up through 1s (around opposite role and below to center of line/4 facing up)
[to G1,L2,G2,L1 from dancer’s perspective (or L1,G2,L2,G1 from stage)]

B1
Line/4 Up the Hall; Gent 1 lets go, the Twos arch* via Gent doing Left Hand High/Right Low to shoot Lady 1 through to Gent 1
Partner Swing
[*note Lady 2 continues walking forward during Left High/Right Low move to make space for Lady 1 to pass through straight across and can keep hands directly into the Swing]

B2
Gents Allem Left 1+1/2x
Neighbor Swing (and take [handy] hand with next…)
[Alternative for Allemande: Give & Take in some form to Ladies]

End effects: Be mindful of how your action changes when crossing over at ends
Tune suggestions: Marches, strongly phrased romantic tunes
Video: Princeton, NJ
See also: Lindsey Dono’s work-in-progress Working Title

First called by me at the Princeton, NJ Country Dancers contra on 7/19/2017 with LLFB option in A1.

The Mighty Mommy Mole – Proper Triplet – Don Veino 20160327

Type: Proper Triplet
Status: Proven

This is my first Triplet dance. I was inspired to come up with this after seeing Bob Isaacs’ dance Cinnamon Cruller on the SharedWeight Caller’s List. I love the transition from the star into the big circle in the traditional dance British Sorrow and strove for a similar feel in the B2 of this dance. This dance is unusual in having the Twos be the active couple.

A1
(16) 2s Full Figure 8, starting below through the 3s
[2s down center around opposite role 3s below, then up center around same role 1s (back to place)]

A2
(16) 2s turn Contra Corners (w/opposite role Corners)

B1
(4,12) 2s Balance & Swing in center/middle, end facing up (1s face down)
[1s & 2s Form Ring, 3s Take Hands with Partner]

B2
(4,4) All Balance, Two-Hand Turn Left 1/2 or Circle Left 1/2 (becoming improper)
[1s below 2s, all open out to…]
(8) All Circle/6 Left 1/2 (all back to proper
[ending 3-1-2]

First called by me at Berlin, MA Contra dance 20160402

Soft Gummy Tummies – DI – Don Veino 20170415

Type: Contra (or ECD), Duple Improper (or Gender Role Free)
Status: Proven

The inspiration for this dance came from Jeff Kaufman on Facebook. He related a story where his band The Free Raisins were asked to play the English Country Dance (ECD) tune “Softly Good Tummas” at a contra dance and that got him to think about adapting the associated ECD to a contra format. We had some discussion on that FB thread and he posted his Becket formation dance.

This discussion forced the tune to become an ear worm for me and I was compelled to take my own shot at composing a very simple dance to match the tune – one that could be used for a very beginner heavy dance venue. I put mine nominally in Duple Improper formation (but it arguably also works as a gender-role-free dance – so long as you’re careful to end in correct spots/facing direction with your P). As Jeff did, I lifted the A parts pretty much intact from the ECD.

A1
(Facing CW around your hands/4 – think of the hands/4 as a box with the dancers at the corners)
(4,4) March 4 steps & turn 90 deg. right, march 4 steps more & turn to face center
[have walked around 2 sides to opposite the starting spot, facing back at original spot]
(4,4) Take 4 steps to center, loop/turn single over left shoulder to face CCW back at this corner spot, clap
(for a simpler version, substitute a double ring balance for the into the middle and turn singles)

A2
(Facing CCW around your hands/4)
(4,4) March 4 steps & turn 90 deg. left, march 4 steps more & turn to face center
[have walked around same 2 sides back to starting corner spot]
(4,4) Take 4 steps to center, loop/turn single over your inside shoulder (wink at your Partner) to face your Neighbor on the side, clap
(for a simpler version, substitute a double ring balance for the into the middle and turn singles)

B1
Neighbor Balance & Swing

B2
(4,12) Ring Balance, 1s Swing & all face new group/4

B2 Alternatives:

  1. 1s Balance & Swing
  2. 1s Gypsy & Swing
  3. 1s Half Figure 8 up and around opposite N to Swing P below
  4. Circle Left 1x, 1s Swing
  5. 2s take the place of the 1s for any of the above/mirror moves
  6. Alternating action for 1s then 2s

Tune: Softly Good Tummas (see the original ECD with the tune)

First called by Linda Leslie at the LCFD Spring Dance Camp in Woodstock, CT – May 5-7, 2017

Fun fact: The title is obviously a play on Softly Good Tummas, but was inspired by a yummy candy from Trader Joe’s…
Gummy Tummy Penguins!

Linda’s Gifts (of Time) – Longways Duple Proper in Waltz Time – Don Veino 20160818

Type: Longways Contra or English Dance, Duple Proper
Status: Public, Proven

Linda Leslie photo
Linda Leslie

In grateful recognition of Linda Leslie‘s investments of time in the folk dance community and in particular her consultation and mentoring given me as I hone my dance calling and composition.

A1
(6,6) First Corners Set to each other (small steps to the Right-2-3, Left-2-3), Hole in the Wall cross (forward 3 beats/steps, pass rights as pivot 1 step, fall back 2 steps into each other’s places)
(12) Second Corners, same thing

A2
(12) Partner Two-Hand Turn 1x
(12) Circle Left 1x

B1
(12) Ones Half Figure 8 up and around Twos to finish below
(12) Twos do similar below, to finish above

B2
(12) Partner Back to Back/Dosido
(6) Ring Balance with current Neighbors
(6) Cloverleaf Turn Single over outside shoulder to face new Neighbors

B2 Variation (To fit Northdown Waltz tune, December 2017)
(12) Partner Back to Back/Dosido
(12) Four Changes of Rights and Lefts to next

Working title was “Two Rivers”, written to go with the tune of the same name by Larry Unger – twice through the dance for one cycle of the tune. Turns out Linda isn’t fond of that approach as she feels the dance/music fit varies.

In consideration of Linda’s view, I had previously recommended Max Newman’s waltz Saari & Kristen off the Nor’easter CD. As of March 2018, I’ve now come full circle back to a common repertoire Larry Unger tune which I find to be a perfect fit to the original (non-variation) dance – Judy and Jim’s Wedding (YouTube).

See also: ¬°Que Linda!

I ♥ Faeries – DI – Don Veino 20170125

Type: Contra Dance, Duple Improper
Status: Public, Proven

Writtten in response to a challenge on the Shared Weight Caller’s Discussion List, here’s my take on a non-glossary way out of the Dublin Bay style Down-the-Hall figure – via a believed unique twist on a Mad Robin. First called (by me) at the Thursday Contras dance at the Concord Scout House on February 2, 2017. For a further simplified take on this theme, see my dance I ♥ Unicorns. The “♥” in the title is spoken as “Heart.”

A1
Neighbor Balance & Swing, end facing down (Twos in center)

A2
Line/4 DTH and Back, Dublin Bay Style
(4 steps fwd down the hall, turn single to face up, continue 4 steps down in reverse, 4 steps fwd up the hall, turn single to face down, continue 4 steps up in reverse)
Bend the line (so Twos are above the Ones)

B1
Mirror Mad Robin – Ones Through the Center First (starting up towards head of the hall)
[G1 and L2 dyad moving CW, L1 and G2 moving CCW]
1s Swing in Center, end facing UP

B2
1s Half Figure 8 up through the 2s (around opposite role N, to end BELOW – improper and facing progression)
2s Swing, end facing UP

Tune suggestion: Becky Tracy’s Black Rock
Video Link(s): Concord Scout House Thursday Contras 2/2/2017

I ♥ Unicorns – DI – Don Veino 20170203

Type: Contra Dance, Duple Improper
Status: Public, Proven

The “♥” in the title is spoken as “Heart” – the title for this dance was given by our 5 year old daughter Raeden and inspired the unique Mirror Mad Robin and half Figure Eight in the choreography. First called (by me) at the Monday Contras dance at the Concord Scout House on February 13, 2017. This dance was a simplification of my first take on this theme, I ♥ Faeries.

NOTE: All swings in this dance end facing down.

A1
Neighbor Balance & Swing, end facing down (Twos in center)

A2
Line/4 DTH – Turn as a Couple – Return, Bend the Line (so 2s above 1s)

B1
Mirror Mad Robin – Twos Through the Center First (starting down towards foot of the hall)
[G1 and L2 dyad moving CCW, L1 and G2 moving CW]
Twos Swing in Center, end facing DOWN

B2
Twos Half Figure 8 DOWN through the Ones (around opposite role N, to end above – improper and facing progression)
Ones Swing, end facing DOWN