Tag Archives: orbit

Becky’s Boulder – DI – Don Veino 20180522

Type: Contra Dance, Duple Improper
Status: DRAFT

One of several related dances composed this date which were inspired by the new Becky Tracy tune Black Rock, off the Eloise & Co. album with Rachel Bell. Yeah, I love the tune. 😉

A1
Wave/4 across Balance Right & Left, Slide/Twirl Right
Wave/4 across Balance Left & Right, Slide/Twirl Left

A2
Neighbor Gypsy & Swing

B1
Give & Take to Gents, Partner Swing

B2
Pass the Ocean to Wave/4 across, Balance Fwd/Back
Gents Orbit 1/2x CW *WHILE* Ladies Allemande Left 1x and all step forward
[to new Wave/4]

End effects: none
Tune suggestions: Bouncy and driving – composed to match Becky Tracy’s tune Black Rock, others include Circular Reel (Daniel Boucher), Epic Reel (Keith Murphy), etc.
Video:
See also: Rockslide, You Caught My Eye
First called by PERSON at VENUE on DATE.

Dark Side of the Moon – DI – Don Veino 20170526

Type: Contra, Duple Improper
Status: Proven

In the Contra Dancers Facebook group Emma Rushton posted to ask if anyone had or was planning to write a contra themed for the August 21, 2017 total eclipse of the sun. I originally offered my recent dance Oh, Yeah! as a possible theme fit. A couple of days later the idea for this sequence arose, which riffs off that dance but now includes a shadow figure plus orbiting in various forms for theme fit. 🙂

Could also be called as a Becket CW dance, starting at the B2.

The title is a nod to the classic Pink Floyd album containing their tune Eclipse, which ends:

and everything under the sun is in tune
but the sun is eclipsed by the moon.

A1
Neighbor Gypsy & Swing [ALT: Dosido & Swing]

A2
Long Lines Forward & Back
Gents Gypsy Left 1x in center
     WHILE
Ladies Orbit CW 1/2x, pass Partner by right shoulder

B1
Gypsy Left with Shadow (back to)
Partner Swing

B2
(6) Circle Left 3/4x
(8) Couple Dosido Current Neighbors 1x
(2) Pass Through to next

Looking across at your Partner in your original hands four, Shadow will be on your right diagonal.

End effects: Don’t cross over until after your Shadow move. If you swing your Partner out of the Shadow Gypsy, you’ll end up naturally crossed over at the ends.
Tune suggestions: Note tune choice will affect A1 move selection.
Video: First trial run.
See also: Oh, Yeah!

First called by me at the Greenfield, MA Guiding Star Grange on 8/18/2017 with music by Annika Amstutz (fiddle), Daniel Plane (cello) and Becky Hollingsworth (piano). As I was explaining the provenance of the dance to the hall, Daniel slipped in a fun snippet of Pink Floyd (from the correct album) on cello which had us cracking up!

Oh, Yeah! – DI – Don Veino 20170428

Type: Contra, Duple Improper
Status: DRAFT

Alternative Title: When I’m Sixty Four
as in (sung to the refrain of the Beatles tune of the same name):

Am I too dizzy?
Will you still dance me?
When I’m sixty four?

More Mad Robin sequence investigation. In this dance I revisit a theme from my prior “Cricket’s Reboot” dance inspired by Kent Koeninger’s “Cricket’s Delight” – in this case the rest of the dance resolves differently (and – I think – with more elegance).

Some callers would disqualify this dance based on a CW beat count using the simplistic “40 CW beats” filter for potential dizziness. I’ve investigated the “dizziness power” of CW moves and my contention is that certain moves with fixed facing direction have effectively zero dizziness impact (e.g. Mad Robin) and others are perceived in proportion to the radius of the move and the degree to which dancers face along the radius (Swings = most dizzy). This dance is an experimental proof of concept to test my theory – chock full of CW goodness! I welcome you to give this ostensibly dizzy (56 to up to 64 CW beat count) dance a trial and prove to yourself it’s not “Too Dizzy”.

Can also be called as a Becket CW dance, starting at the B2. Several B2 alternatives included below for anticipated live testing.

The title is a nod to the classic Mello Yello song and I encourage you to say it the same way. 🙂

A1
Neighbor Gypsy & Swing [ALT: Dosido & Swing]

A2
Mad Robin 1x (Gents L->R through Center first, facing P across)
Gents Gypsy Left 1x
     WHILE
Ladies Orbit CW 1/2x

B1
Partner Gypsy & Swing

B2 (preferred, but will timing work?)
(6) Circle Left 3/4x
(2) Half Zig Left (forward & left 2 steps, to pass current N Couple by Right Shoulders)
(6) Next Couple Dosido 3/4x (to face this second couple)

B2 Alternative 1 (preserves CW motion theme but I like the feel less; easier end effects?)
(6) Circle Left 3/4x
(8) Current Neighbors Couple Dosido 1x
(2) Pass Through to next

B2 Alternative 2 (good feel if Roll well done; doesn’t fit CW theme as well)
LLF & Ladies Roll Gents L->R on way back
Star Left 3/4x

B2 Alternative 3 (double progression; doesn’t fit CW theme as well)
(6) Circle Left 3/4x
(4,4) Couple Zig-Zag, to left around current Neighbors, to right around 2nd, to face 3rd couple

(Like) Juggling Chainsaws – DI – Don Veino 20170406

Type: Contra, Duple Improper
Status: DRAFT

For this dance the Chain to See Saw[1] progression idea (the “experimental” part) came first. Then the title[2], which implied there must be more than a single Chain/Saw, which drove the rest of the composition. To minimize dizziness risk, one can omit twirling in their See Saw, if desired.

This is most likely an Intermediate to Advanced level dance, given the lack of easy recovery points (like Long Lines) while containing quite a bit of disconnected motion.

UPDATE 20171005:

Since my original posting of this dance, I’d put it aside wanting to come back and refine it (I do this when I’m too engrossed in a particular sequence as a way to reset my brain and find “grace” or “simplicity” in the sequence later). Shortly thereafter a solution offered itself – which I’ve only just now transcribed from my notebook. The post has been updated to show my revised solution – I’ve left the original “experimental” draft at the end of this post so one may see the evolution (if interested).

A1
Neighbor Balance & Swing

A2
(8) Gents LH Chain (to P)
(8) Gents See Saw 1+1/2x (or See Saw 1x and pass Lefts across)
WHILE
Ladies Orbit CW 1/2x (Pass RT shoulder w/next Lady)

B1
Partner Balance & Swing

B2
Ladies RH Chain, ending Courtesy Turn facing N (up/down, reverse of progression), keep left hands w/N
(pull into) See Saw 1x with THIS Neighbor, end facing NEXT Neighbor

End effects: Wait out crossed over for N to come to you out of B2 See Saw.

Notes:

[1] See Saw = Left Shoulder/CCW orbiting Dosido

[2] Original title ideas included “Concord Chainsaw Massacre” which I thought was pretty catchy/fun for horror movie fans (playing off the Texas named classic) but potentially off-putting to others. The new title still fits in the Chain & See-Saw play on words while hopefully being less discomforting. 🙂

See Also: There’s a series of dances featuring this Chain/See-saw concept and the Roll Away to Partner Shoulder Pass used in my Strolling & Rolling and Lobster Roll dances, which should be posted shortly.

ORIGINAL EXPERIMENTAL DRAFT:

If the timing turns out as I expect, the Orbit and Gent’s chain to Courtesy Turn transition should be a wonderful pairing of clockwork action and delicious momentum. Or an utter disaster. 🙂

A1
Neighbor Balance & Swing

A2
(8) Gents See Saw[1] 1x WHILE Ladies Orbit CW 1/2x (Pass RT shoulder w/next Lady)
(8) Gents LH Chain (to N)

B1
Gents Cross, Passing Lefts
Partner Swing

B2
Ladies RH Chain with partial CT to end facing CCW around oval, Ladies go forward along the side while Gents turn over their LT Shoulder
See Saw Next Neighbor

End effects: Wait out crossed over, ready to come in for the B2 See Saw.

Notes:

Of course, there are prior dances using a Ladies Chain to progress and Dosido as a linking move, either as the last of B2 or first of A1. I’ve not yet encountered a Chain to See Saw combination as used here – there may be good reason for that.

Should the original B2 above not work out well when danced, there’s a similar alternative which should:
B2
Ladies Pull by Right, Neighbor Allemande Left 1/2
(to face progression – Ladies CCW, Gents CW around oval)
Walk Forward and Dosido next Neighbor

Oceans 4 – 4 Face 4 – Don Veino 20161204

Type: 4 Facing 4
Status: Public, Proven
Tune suggestion: Thomas Shrug’s March

This is one of several of my dances in a series of “Oceans” and “Seasons” compositions which bring Ocean or Sea Waves into a 4 Facing 4 dance. It embeds a same role Hey in the center of the dance while the other role does a classic square dance (NOT Box) Circulate (called “Orbit” here for contra dancers).

This dance was first called at the Monday Contras series at the Concord Scout House on 12/19/2016.

Note this dance never converts to a square formation.

A1
Give & Take (Up/Down), Gent take Neighbor Lady back and Swing

A2
(4,4) Pass the Ocean (Up/Down), Wave Balance Fwd/Back
[NOTE all Gents are on outside oval facing clockwise, Ladies are inside facing CCW]
(8) Simultaneously:
     Ladies in center (across) Half Hey (Ladies facing center start passing Right)
*WHILE*
     Gents Circulate 2 Places (wrap around ends) [I TEACH/CALL THIS AS AN ORBIT 1/2 to stay with more typical contra language for dancers]
[Form similar Ocean Waves aligned up/down with Right Hand to same G&T Neighbor]

B1
Wave Balance Right (toward N) & Left, Neighbor Box the Gnat [like the feel but handhold change req’d]
[Not yet tested variation – but what I expect will become the std: Balance Fwd/Back, N Allemande Rt 1/2x]
Gents Allemande Left 1+1/2 (to P)

B2
Partner Balance & Swing, end facing progression

So why not the following A2? Because the Ladies will arrive ~2 beats early at their spot and possibly overshoot it. This dance is not going to be called with a beginner crowd and, if the dancers can’t handle a Hey, you probably shouldn’t be calling this one.

A2
(4,4) Pass the Ocean (Up/Down), Wave Balance Fwd/Back
[NOTE all Gents are on outside oval facing clockwise, Ladies are inside facing CCW]
(8) All Circulate 2 Places (wrap around ends)
[Form similar Ocean Waves aligned up/down with Right Hand to same G&T Neighbor]