Tag Archives: mad robin

A Long Courtship – Becket – Don Veino 20181209

Type: Contra Dance, Becket Left/CW
Status: Proven

This dance came out of a discussion Will Mentor and I had about writing a dance which built up and defied expectations regarding when you’d get together with your partner. It was briefly titled “Finally!” during testing. Have received really positive dancer feedback on this (it’s pretty cool when dancers seek you out at the end of the evening to praise/discuss a particular dance – you know it brought them joy. ๐Ÿ™‚ ).

A1
Ladies Chain, Mad Robin CCW (Ladies front first) &
Gents Slide Left *WHILE* Ladies Cross Set, loop to Right
[i.e.: Ladies cross (Left past current NBR Lady, Right by next) & follow your Partner into…]

A2
(w/Next NBRs) Circle Left 3/4x, Neighbor Swing

B1
Full Hey (Gents Pass Left to start) BUT LADIES BOUNCE BACK 2nd time

B2
Partner Gypsy & Swing

End effects: Wait out crossed over on left to slide into A2 circle.
Tune suggestions:
Video:
See also:
First called by me at Concord Scout House Monday Contras Series on 1/28/19.

Pumpkin Spice Madness – DI – Don Veino 20181006

Type: Contra Dance, Duple Improper
Status: Proven

Keep calm.
Pumpkin Spice is everywhere!

We’re in that season again – where everything gets offered in some form of pumpkin spiced variant. I find most such things (but for pancakes or other baked goods) totally foul but the other residents of our household seem to relish them. So I figure I just have to embrace the amusement of the Pumpkin Spice Madness season and trust it’ll come to an end soon! At least I got a decent dance theme/title out of it. ๐Ÿ™‚

A1
Ring/4 Balance, Gents Swap (passing left – in essence, Partner Lady rolls the Gent while staying put)
Ring/4 Balance, Ladies Swap (passing right – in essence, Neighbor Gent rolls the Lady while staying put)
[Alt: Ring/4 Balance & Petronella Slide/Twirl 1 place, repeat]

A2
Neighbor Balance & Swing

B1
Mad Robin CW (Gents in front first) 1x, Gents Cross (to P)
Partner Swing

B2
Circle Left 3/4x, Pass Through (up/down)
Next Neighbor Dosido into Ring/4

End effects: none
Tune suggestions: Bouncy French Canadian, Jigs
Video: Guiding Star Grange 10/27/2018, Laura Johannes at Scout House Monday Contras (Petronella var.) 1/7/2019
See also:
First called by me at Monday Contras series, Concord Scout House on 10/8/2018

Mad For Ogontz – DI – Don Veino 20180808

Type: Contra Dance, Duple Improper
Status: Proven

At CDSS Ogontz Family Camp 2018 Steve Zakon-Anderson wanted to teach Mad Robin to the 11s & 12s group but didn’t have a suitable dance. We couldn’t find one in my deck either, so I wrote this one. This one I wrote for MR newbies but an experienced dancer has since told me it is their “new favorite all-time dance” because of the “great smooth flow” :-).

Encourage dancers to really relax into the B1 & B2 timing to avoid arriving early for the A1 (you may need to stretch out the lines to allow for this). I’ve noticed dancers sliding past and curling back to their next Neighbor to smooth that out, should it happen (rather than stopping dead and then starting the Gypsy).

A1
Neighbor Gypsy, Swing

A2
Gents Allemande Left 1+1/2x, Partner Swing

B1
(8,8) Long Lines Forward & Back, Half Hey (Ladies Right start)

B2
(8,8) Ladies Chain, Mad Robin CCW (Ladies thru center first) to next

End effects: none
Tune suggestions: flowy with strong 8 beat hinting, particularly in the Bs
Video: Top Hill Music dance at the Greenfield, MA Grange
See also: Rainbows Over Ogontz, Fairly Nicked From Nick
First called by Steve Zakon-Anderson at CDSS Ogontz Family Camp on ~8/9/2018.

Fairly Nicked From Nick – Becket – Don Veino and Nick Howe 20180815

Type: Contra Dance, Becket
Status: Proven

In a conversation with Nick Howe following Ogontz Family Week 2018, we reviewed a draft of his 2017 “The Cuckoo and The Robin.” Nick’s dance features a double Mad Robin sequence (CCW into CW) to a Circle Left to Swing. I liked his idea for the transitions and it inspired me to take a shot at flipping the Mad Robin rotation and grafting on other parts to arrive at this co-author dance nicking Nick’s core idea.

This dance has been called several times to great dancer feedback. While you probably want to stress with dancers to take big graceful 8-beat Mad Robins in the B1, the subsequent circle acts as a timing shock absorber should everyone rush them. Energetic music seems to drive dancers to really haul on that bit while flowing/romantic encourages them taking up the time.

A1
Slice Left, Ladies Allemande Right 1+1/2x

A2
Neighbor Balance & Swing

B1
(Gents thru Middle First) Mad Robin CW around THIS Neighbor,
(Gents thru Middle First) Mad Robin CCW around NEXT Neighbor

B2
(w/orig. Ns) Circle Left 3/4x, Partner Swing

End effects: If you’re in the dance and nobody’s at the end for the second Mad Robin, either Mad Robin around a ghost or SeeSaw your Partner across and back to your side to continue with the Circle. If you’re out, cross over and come in temporarily for the second Mad Robin then wait on the left diagonal for the slice.
Tune suggestions:
Video: Thursday Contras at the Concord Scout House, Inc., Top Hill Music dance at the Greenfield, MA Grange.
See also: Mad for Ogontz
First called by me at the NEFFA Thursday Contras dance at the Concord Scout House on 9/20/2018.

ยกQue Linda! – DI – Don Veino 20180211

Type: Contra Dance, Duple Improper
Status: Proven, Public

Linda Leslie photo
Linda Leslie

Here’s a contra in honor of Linda Leslie. I wanted to give Linda a dance more likely to be regularly called than my prior dance Linda’s Gifts (which is a waltz-time Contra or English Country Dance (ECD)).

Linda and I were in a correspondence around the Mad Robin to a wave idea I’d first used in my dance Super Robin. She’d written a couple of sequences (which are not published on her site but were called in her final few gigs, with lovely dedications) featuring the idea with different solutions around it. This was to be my choreographic response – using a CCW rotation instead of the Gents first/CW MR in those dances. Unfortunately, she never got to see this dance.

May it bring dancers joy – as did she. Linda spoke fluent Spanish and, I believe, would have appreciated the word play of the title.

A1
Neighbor Balance & Swing

A2
Long Lines Forward & Back
Mad Robin CCW 1+1/4x (Ladies through center 1st, to Wave/4 across)
[N by LH, Ladies RH center]

B1
Balance Wave, Neighbor Allemande Left 1/2x,
Gents Pass Right to cross, Partner Swing

B2
Circle Left 3/4x, Ring Balance & CA Twirl

End effects:
Tune suggestions: Bouncy & driving – we used The Kitchen Girl & Stampin’ and Champin’ (Glen Loper) for NEFFA 2018 with the YFO. Reel Circulaire (by Daniel Boucher) is another good pairing.
Video: Scout House Monday Contras 20180507
See also: My Super Robin and Linda’s dances Creativity and Felicidades.

First called by me in final form at the FSGW Sunday dance at Glen Echo’s Spanish Ballroom with the Dead Sea Squirrels on 4/15/2018 and dedicated to Linda at the New England Folk Festival in a session with the Youth Festival Orchestra on 4/21/18. Earlier drafts were shared with the Portland Intown Contra Dance (PICD) and Scout House Monday Contras communities.

Wild Mouse – 4 Face 4 – Don Veino 20170823

Type: Contra Dance, 4 Face 4
Status: DRAFT, EXPERIMENTAL

Amusement park ride image, 1960s
The Wild Mouse ride at Revere Beach, MA sometime in the 1960s or early ’70s
This sequence re-imagines the B parts from my dance Lobster Roll. I wanted to find another way of resolving a 4 Face 4 than has been done to date. Originally I thought of having the two Mad Robin (MR) figures be in opposite rotation with a cross-over (as in a figure 8) in the middle (a la the on the sides action in Sharon of the Green) but was concerned about the possibility of collisions while crossing.

The B1 “Experimental” bit below is my attempt to simplify the MR motion to be consistently in one rotational direction and avoid the collision issue by making the MR path for each dancer into something like a sideways “6” or “9”. The MR pieces in the B1 are in quarter multiples so the dancers can slide past each other across the set in the place between the couple dyads.

Once learned, I think this sequence will be easy to dance – given the Partners facing & associated guidance possibility in the B1 – but could be a challenge to teach!

The title of this dance comes from one of the last amusement park rides remaining at Revere Beach, Massachusetts in the late ’60s – that ride featured a series of loop-backs and sharp turns/feints that made it appear (at least to a ~8 year old) like you were going to fly off the track and land in the nearby Atlantic ocean! The B1 circuitous loops here made me think of that ride. Sadly, what was once quite a stretch of rides at that beach have since become an unbroken line of oversize condos forming a tall wall across from the sand.

A1
Rings/4 Balance, Petronella Right 1 place
Rings/4 Balance, Petronella Right 1 place

A2
Rings/4 Balance, Gents Draw Opposite Lady Back & Swing

B1
(~4) Mad Robin CW 3/4x around Opposite, Gents L->R through center first (facing P up/down)
[so temporarily we have transitory columns of 4 up/down the set with Ladies face to face and two couples “outbound” to edge of set and two couples “inbound” to cross the set]
(~4) Outbound* couples continue MR 1/2 more, WHILE inbound* couples slide straight across set to other side (so Gs behind Ls)
[to temporarily form transitory columns of 4 up/down with opposite roles facing in mini cols of 2 – have swapped inbound and outbound couples]
(~4) Outbound* couples MR 1/2x, WHILE inbound* dancers slide across to other side (L behind G)
(~2,~2) All MR 1/4x+, Ladies Pass Left up/down WHILE Gents MR 1/4x+ to face P

B2
Partner Balance & Swing, end facing progression

[*Inbound/Outbound is relative to the dancer’s (couple’s) current vector at that moment]

End effects: Remember to face progression at the end of the Partner Swing!
Tune suggestions: Bouncy As, smooth Bs
Video:
See also: Lobster Roll

Here’s a video of a different but similar Wild Mouse ride than the one I rode as a kid. Note the complete lack of safety railings on the majority of the track – that’s what got me worried about flying off into the ocean when I was a kid.

First called by PERSON at VENUE on DATE

Lobster Roll – 4 Face 4 – Don Veino 20170823

Type: Contra Dance, 4 Face 4
Status: DRAFT

Lobster and lobster roll
Classic New England seaside shack delight
This sequence re-uses a concept I’d first developed for a down the hall dance Strolling & Rolling. When thinking about the commonality of facing lines/4 and a line/4 down the hall I recognized the same idea of a roll away into a hey would fit into a 4 Face 4 as well. This dance is the result – I paired very bouncy A parts to smooth Bs to give bands some sonic room.

The lobster roll is a classic New England gustatory treat – heck, even McDonald’s offers them here in season. Come visit, find a classic oceanside seafood shack and give one a try!

A1
Rings/4 Balance, Petronella Right 1 place
Rings/4 Balance, Petronella Right 1 place

A2
Rings/4 Balance, Gents draw Opposite Lady Back & Swing

B1
Ladies Chain (up/down to Partner)
Long Lines Forward, Lady Roll Away Partner (and face P across the set)

B2
Half Hey (Partner Pass Right)
Partner Swing, face progression

End effects: Remember to face progression at end of the Partner Swing!
Tune suggestions: Bouncy As, smooth Bs
Video:
See also: Strolling & Rolling, Wild Mouse

First called by me at the Jamaica Plain Gender Free dance on 9/30/17.

Wicked Smooth – Becket or DI – Don Veino 20170803

Type: Contra Dance, Duple Improper or Becket Left/CW
Status: Proven

There’s been a dance “seed” on my whiteboard for some time, which germinated today into what I think is a wonderfully smooth dance (what we New Englanders might describe as “wicked (very) smooth).” Depending upon programming needs, it can be run as a Duple Improper or Becket – it seems to fit tunes well either way.

Becket Version (Primary)

A1
Ladies Chain (to N)
Star Left 1x

A2
With NEXT Neighbors Circle Left 1x
Neighbor Swing

B1
(6) Mad Robin (Gents through center first/CW)
(2) Gents Pass Left to cross
Half Hey (Pass Partner by Right)

B2
Partner Gypsy, Swing

Duple Improper Version

Before walk through, have dancers Swing their Neighbor briefly to put the 1s below the 2s – this is their home position.

A1
(6) Mad Robin (Gents through center first/CW)
(2) Gents Pass Left to cross
Half Hey (Pass Partner by Right)

A2
Partner Gypsy, Swing

B1
Ladies Chain (to N)
Star Left 1x

B2
With NEXT Neighbors Circle Left 1x
Neighbor Swing

End effects: Wait out crossed over and rejoin the dance via the Circle.
Tune suggestions: Well phrased romantic/sultry tunes
Video:
See also:

Becket version first called by me at CDSS Family Week 2017 at Ogontz Camp on 8/10/2017. Received well with a very mixed crowd – two caller colleagues present asked for the choreography. Finally got a chance to dance it myself when Nils Fredland called it with a really gorgeous tune by Elixir at the Concord Scout House Challenging Contras series on 10/6/17.

Super Robin – DI – Don Veino 20170523

Type: Contra Dance, Duple Improper
Status: Proven

Dedicated to Robin Humes – family friend and super volunteer in service of the Concord Scout House area contra community. It’s only fitting this dance include a Mad Robin (besides the obvious eponymous link), because Bob Isaacs’ dance Redbeard Reel (commissioned by Robin for her husband – John Wasser) features one as well.

When mentioning the title, I think it’s fun to give it proper super hero intonation: “SUP-er Robin!” ๐Ÿ™‚

A1
Neighbor Gypsy (or Balance) & Swing

A2
Mad Robin CW 1+1/4 (Gents start Forward & Right, to Wave Across, G by LH in center)
Short Wave Balance Right & Left, Twirl/Slide Right (Ladies Super Twirl across)

B1
Partner (Balance &) Swing

B2
Circle Left 3/4 to Wave (L by LH in center, facing progression)
Wave Balance Fwd/Back, Dance Fwd to next

End effects: Wait out crossed over
Tune suggestions: Note tune choice will affect A1 and B1 move selection. Dancers seem to enjoy twirling straight into the B1 Partner Swing.
Video: N/A
See also: N/A

First called by Linda Leslie at the Guiding Star Grange Extravadance on 5/27/2017.

Oh, Yeah! – DI – Don Veino 20170428

Type: Contra, Duple Improper
Status: DRAFT

Alternative Title: When I’m Sixty Four
as in (sung to the refrain of the Beatles tune of the same name):

Am I too dizzy?
Will you still dance me?
When I’m sixty four?

More Mad Robin sequence investigation. In this dance I revisit a theme from my prior “Cricket’s Reboot” dance inspired by Kent Koeninger’s “Cricket’s Delight” – in this case the rest of the dance resolves differently (and – I think – with more elegance).

Some callers would disqualify this dance based on a CW beat count using the simplistic “40 CW beats” filter for potential dizziness. I’ve investigated the “dizziness power” of CW moves and my contention is that certain moves with fixed facing direction have effectively zero dizziness impact (e.g. Mad Robin) and others are perceived in proportion to the radius of the move and the degree to which dancers face along the radius (Swings = most dizzy). This dance is an experimental proof of concept to test my theory – chock full of CW goodness! I welcome you to give this ostensibly dizzy (56 to up to 64 CW beat count) dance a trial and prove to yourself it’s not “Too Dizzy”.

Can also be called as a Becket CW dance, starting at the B2. Several B2 alternatives included below for anticipated live testing.

The title is a nod to the classic Mello Yello song and I encourage you to say it the same way. ๐Ÿ™‚

A1
Neighbor Gypsy & Swing [ALT: Dosido & Swing]

A2
Mad Robin 1x (Gents L->R through Center first, facing P across)
Gents Gypsy Left 1x
     WHILE
Ladies Orbit CW 1/2x

B1
Partner Gypsy & Swing

B2 (preferred, but will timing work?)
(6) Circle Left 3/4x
(2) Half Zig Left (forward & left 2 steps, to pass current N Couple by Right Shoulders)
(6) Next Couple Dosido 3/4x (to face this second couple)

B2 Alternative 1 (preserves CW motion theme but I like the feel less; easier end effects?)
(6) Circle Left 3/4x
(8) Current Neighbors Couple Dosido 1x
(2) Pass Through to next

B2 Alternative 2 (good feel if Roll well done; doesn’t fit CW theme as well)
LLF & Ladies Roll Gents L->R on way back
Star Left 3/4x

B2 Alternative 3 (double progression; doesn’t fit CW theme as well)
(6) Circle Left 3/4x
(4,4) Couple Zig-Zag, to left around current Neighbors, to right around 2nd, to face 3rd couple

Hey, Aren’t You With Me? – Becket – Don Veino 20170416

Type: Contra Dance, Becket Left/CW Formation
Status: DRAFT

Another dance playing with Mad Robin transitions (see similar posts). In a way this is a return to one of my earliest dances (Raeden’s Curls), which used a Mad Robin 1+1/4 – Slide – Gents Pass & P Swing sequence. Here the extended motion Mad Robin sets up parallel full Heys where the partners diverge & travel separately (with a Shadow) to subsequently reconnect.

NOTE: this dance can also be danced without the parallel Heys, if the A2 Mad Robin is 1+1/4x around instead. In this case, the Partners will dance together (without Shadows) for the full Hey but they may come back together a beat or two before the B2 phrase – such that having the Ladies do a Bounce Back to let the Gents pass right to start the Hey may be more appropriate for timing.

A1
Slide Left, Single File Promenade CW 3 places, Ladies Turn Back (or, of course, Circle Left 3/4x on diagonal)
Neighbor Swing

A2
Ladies Chain (to P)
Mad Robin 1+1/2x (looking across at a Neighbor) until Partners slide into separate adjacent columns, all facing center
[Gents slide right on the outside, Ladies slide left and are facing in middle. Shadow is the opposite role person closest to you in this column, MR Neighbor is the furthest.]

B1
Full Hey, Ladies Pass Right to start

B2
[look to adjacent Hey]
Partner Balance & Swing

End effects: To be confirmed – should be somewhat funky but workable. When ejected from the Mad Robin, dancers can either do the Full Hey with a Neighbor and the couple waiting out (which should include at least one shadow), or Hey with ghosts (if nobody’s there), or simply wait for their partner to return from their own Hey. When really out, wait on the left side and enter via the A1 Slide Left.

Spring Fling – Becket – Don Veino 20170404

Type: Contra, Becket Left/CW
Status: Proven

A relatively simple/straightforward composition containing two uncommon points: a Mad Robin figure (easy, once taught – and which I feel flows wonderfully into a chain) and a Courtesy Fling*. Dancers often rush a Mad Robin which should work works well in this dance (I hope!) to provide a little bit of extra time for the Courtesy Fling. Significant Partner focus and Shadow anchor point in the wave should help make this suitable for a less than experienced crowd.

Composed while I was thinking about dances to call for the crowded Festival Orchestra session (in the HS Gym right after the Saturday Medley) at the 2017 New England Folk Festival. Melanie Axel-Lute called this during our shared session.

A1
Slide Left, Ladies Pass Right shoulders to cross
Neighbor Swing
Alternative:
On left diagonal, Circle Left 3/4x
Neighbor Swing

A2
(~6) Mad Robin (CCW/Ladies through the center Rt->Lt to start)
(~10) Ladies Chain (to P) with Courtesy Fling* (ending in long waves, Ladies facing out & Gents in)
[LH with P and RH with Shadow in wave]

B1
Rory O’Moore Wave Balance Right & Left, Slide/Twirl Right
Rory O’Moore Wave Balance Left & Right, Slide/Twirl Left

B2
Partner Balance & Swing

End Effects: When in the last place still in the dance, you’ll do the wave balance sequence with ghosts if nobody is out. When waiting out, do the waves with whomever comes at you and then wait on the left diagonal for the circle start.

*The Courtesy Fling is a conventional Courtesy Turn with the motion for the Ladies extended in an arc around the still connected left hands to end facing the opposite of the Gents. In this dance it results in a long wave.

Video: 2017 New England Folk Festival – Melanie Axel-Lute calling, with music by the Festival Orchestra.

Holy Cannoli! – DI – Don Veino 20160415

Type: Contra, Duple Improper
Status: Proven

I wrote this dance on the way home from the 2016 New England Folk Festival’s Friday session, after indulging in some delicious cannoli in the food hall.

Suggest dancers take hands in Long Lines to stretch out up & down and then reform their hands/4 to ensure there’s enough space for the A2 action.

First called by Linda Leslie at the Monday Contras series at the Concord Scout House on 4/25/2016.

A1
(4,12) Neighbor Balance & Swing

A2
(6) Circle Left 3/4 (to face up/down, looking at your P – on Gents’ home side)
(10) Mad Robin 1+1/2 (moving – instead of looking – across set, Gents going Left to Right through center first)
[so this is at a right angle to what most people think a Mad Robin orientation is typically]

B1
(16) Partner Gypsy & Swing (on Ladies’ home side)

B2
(8) Ladies Chain
(8) Half Hey, L Pass Right to start (and look towards progression…)

See also my Madly in Love dance for a similarly rotated Mad Robin across the set.

Madly in Love (with Mermaids) [V2] – DI – Don Veino 20160430

Type: Contra, Duple Improper
Status: Public, Proven

Dedicated to all those who’ve found their joy through our Concord Scout House Monday dance (we’ve hosted several weddings!). Another dance in my “Mermaid” series – which all feature a Diagonal Pass The Ocean progression (hence the parenthetical subtitle term above).

At hands four, have lines spread down to make space for the A2 cross set action. Can rotate to Becket formation, starting with the B2.

FYI, one must carefully address the A2 Mad Robin in the teaching/calling – too many dancers (and at least one caller) I’ve run into have a firm association with a MR happening in the facing across orientation and “fixing” the dance that way, blowing things up. I’ve been accentuating “FACING your Partner UP and DOWN” and have tried using Sliding Doors instead of MR language (“GENTS through the CENTER, Sliding Doors”) with success.

Second version added the A2 ring balance – dancers seemed to want to rush through the circle and MR, making B1 start early and awkwardly without it. First called at the Monday Contras series at the Concord Scout House on 5/30/2016. I’ve heard of at least one instance of it being called at a festival session so far.

A1
(16) Neighbor Gypsy & Swing
[I prefer B&S with a timely crowd]

A2
(4,6) Ring Balance, Circle Left 3/4 (to face Partner UP&DOWN)
(6) Mad Robin Sliding Doors 1x ACROSS set (CW – Gents through center first, left to right facing up & down)

B1
(4,12) Partner Balance & Swing (end facing left diagonal)

B2
(4,4) Left diagonal Pass the Ocean, Wave Balance
#PROGRESSION
[Teaching note: Look at Neighbor in this wave, Gents will cross set to start the dance again with this Lady]
(5,3) Partner Allemande Right 1+1/4~ (to G face in), Gents Cross to Neighbor (passing LEFT) and with THIS Neighbor…
[Passing left helps to diminish the bucksaw offset created by the diagonal wave – the A2 further fixes things up]

END EFFECTS: Wait out on the left diagonal to come in on the Pass the Ocean.

Reluctant Robin – Becket – Don Veino 20161103

Type: Contra, Duple Improper
Status: Public, Proven

I really like Mad Robins, just in case that isn’t obvious. I was wondering what else could be done with them, whether they could be used as a progression, facing direction changed, etc. This dance came out of some of that thinking.

First called at David Kaynor’s Friday Night Dance at the Greenfield, MA Grange on 11/14/2016.

A1
Gents Allemande Left 1+1/2
Half Hey, pass N by Right to start

A2
Neighbor Balance & Swing

B1
Mad Robin 1+1/2, Gents through Center 1st, Lt-Rt/CW
[ending in long waves with Gents Facing OUT, Ladies In (this N by RH), looking at P’s back]
Long Wave Balance Right, Left, Slide Right
#PROGRESSION

B2
Long Wave Balance F&B, Box Circulate (Gents Loop, Ladies Cross)
Partner Swing

End Effects: Wait out crossed over to join the second long wave in B2

Alternative A1, not yet tried…
L Chain to N
L Gypsy Rt 1x
Back to…

Gary’s Reel Too – DI – Don Veino 20161113

Type: Contra, Duple Improper
Status: DRAFT

Role reversed re-imagining of my dance Ruth’s (For) Reel; Gary is Ruth’s husband. In contrast to the common case, the Gents get to do most of the running around in this one.

A1
LLF, Gents Roll NEXT (Left Hand) Neighbor Lady Left->Right on way back
Mad Robin, Gents through center first/CW (so looking at P across)

A2
Gents Chain (LH pull by, Right to P, Ladies Courtesy Turn Gent CW)
Mad Robin, Gents through center first/CW (so looking at N across)
(look away from P to Shadow)

B1
Gypsy Left Shadow
Partner Swing

B2
Gents Pull By Left (to current N)
Neighbor Swing
#PROGRESSION

End effects: never really out, wait for A2 Shadow Gypsy before crossing over at ends (and face across to P). Will come in on the A1 Long Lines.

Dancers may tend to want to rush through, encourage them to take the full 8 beats where provided – have sets space out nicely to make room for graceful, sweeping Mad Robins.

Ruth’s (For) Reel – DI (swapped w/N) – Don Veino 20161113

Type: Contra, Duple Improper but with 1s below the 2s
Status: Public, Proven

Written for Ruth Potwin’s 60th birthday celebration. Have dancers briefly swing their Neighbor to swap places from duple improper hands-4 position before walk-through, so 1s below 2s.

Dancers may tend to want to rush through the As, encourage them to take the full 8 beats where provided – have sets space out nicely to make room for graceful, sweeping Mad Robins.

First called to a nice reception at the Thursday Contras dance at the Concord Scout House on 12/1/2016. There’s a somewhat role reversed take on this dance – Gary’s Reel Too. Sadly, I don’t think Gary or Ruth have danced either dance yet – if you see them at a dance, give it a go!

A1
LLFB
Mad Robin, Ladies through center first/CCW (so looking at P across)

A2
Ladies Chain
Mad Robin, Ladies through center first/CCW (so looking at N across)
(look away from P to Shadow)

B1
Gypsy Shadow
Partner Swing

B2
Circle Left 3/4, Pass Through Up/Down
Swing (new) Neighbor

End effects: never really out, shadow needs you for the Gypsy before crossing over.

I ♥ Faeries – DI – Don Veino 20170125

Type: Contra Dance, Duple Improper
Status: Public, Proven

Writtten in response to a challenge on the Shared Weight Caller’s Discussion List, here’s my take on a non-glossary way out of the Dublin Bay style Down-the-Hall figure – via a believed unique twist on a Mad Robin. First called (by me) at the Thursday Contras dance at the Concord Scout House on February 2, 2017. For a further simplified take on this theme, see my dance I ♥ Unicorns. The “♥” in the title is spoken as “Heart.”

A1
Neighbor Balance & Swing, end facing down (Twos in center)

A2
Line/4 DTH and Back, Dublin Bay Style
(4 steps fwd down the hall, turn single to face up, continue 4 steps down in reverse, 4 steps fwd up the hall, turn single to face down, continue 4 steps up in reverse)
Bend the line (so Twos are above the Ones)

B1
Mirror Mad Robin – Ones Through the Center First (starting up towards head of the hall)
[G1 and L2 dyad moving CW, L1 and G2 moving CCW]
1s Swing in Center, end facing UP

B2
1s Half Figure 8 up through the 2s (around opposite role N, to end BELOW – improper and facing progression)
2s Swing, end facing UP

Tune suggestion: Becky Tracy’s Black Rock
Video Link(s): Concord Scout House Thursday Contras 2/2/2017

I ♥ Unicorns – DI – Don Veino 20170203

Type: Contra Dance, Duple Improper
Status: Public, Proven

The “♥” in the title is spoken as “Heart” – the title for this dance was given by our 5 year old daughter Raeden and inspired the unique Mirror Mad Robin and half Figure Eight in the choreography. First called (by me) at the Monday Contras dance at the Concord Scout House on February 13, 2017. This dance was a simplification of my first take on this theme, I ♥ Faeries.

NOTE: All swings in this dance end facing down.

A1
Neighbor Balance & Swing, end facing down (Twos in center)

A2
Line/4 DTH – Turn as a Couple – Return, Bend the Line (so 2s above 1s)

B1
Mirror Mad Robin – Twos Through the Center First (starting down towards foot of the hall)
[G1 and L2 dyad moving CCW, L1 and G2 moving CW]
Twos Swing in Center, end facing DOWN

B2
Twos Half Figure 8 DOWN through the Ones (around opposite role N, to end above – improper and facing progression)
Ones Swing, end facing DOWN