Tag Archives: give and take

Becky’s Boulder – DI – Don Veino 20180522

Type: Contra Dance, Duple Improper
Status: DRAFT

One of several related dances composed this date which were inspired by the new Becky Tracy tune Black Rock, off the Eloise & Co. album with Rachel Bell. Yeah, I love the tune. πŸ˜‰

A1
Wave/4 across Balance Right & Left, Slide/Twirl Right
Wave/4 across Balance Left & Right, Slide/Twirl Left

A2
Neighbor Gypsy & Swing

B1
Give & Take to Gents, Partner Swing

B2
Pass the Ocean to Wave/4 across, Balance Fwd/Back
Gents Orbit 1/2x CW *WHILE* Ladies Allemande Left 1x and all step forward
[to new Wave/4]

End effects: none
Tune suggestions: Bouncy and driving – composed to match Becky Tracy’s tune Black Rock, others include Circular Reel (Daniel Boucher), Epic Reel (Keith Murphy), etc.
Video:
See also: Rockslide, You Caught My Eye
First called by PERSON at VENUE on DATE.

You Caught My Eye – DI – Don Veino 20180522

Type: Contra Dance, Duple Improper
Status: Proven

For Sage, who caught my eye. ♥ One of several related dances composed this date which were inspired by the new Becky Tracy tune Black Rock, off the Eloise & Co. album with Rachel Bell. Yeah, I love the tune. πŸ˜‰

A1
Wave/4 across (N by RH) Balance Right & Left/Back, walk Forward on Right Diagonal
New Wave/4 across (G by RH, N by LH) Balance Left & Right, Slide/Twirl Left

A2
Neighbor Gypsy & Swing

B1
Give & Take to Gents, Partner Swing

B2
Pass the Ocean to Wave/4 across, Balance Fwd/Back
Partner Allemande Right 1/2x, Gents center Left 1/2x, Neighbor Right 1/2x
[Ladies take LH to end in Wave/4 w/same Ns]

End effects: none
Tune suggestions: Bouncy and driving – composed to match Becky Tracy’s tune Black Rock, others include Circular Reel (Daniel Boucher), Epic Reel (Keith Murphy), etc.
Video: Concord Scout House Monday Contras series 10/15/18
See also: Rockslide, Becky’s Boulder
First called by me at Concord Scout House Monday Contras series on October 15, 2018.

I ♥ Devil Dogs – DI – Don Veino 20171012

Type: Contra Dance, Duple Improper
Status: DRAFT

Yep, named for the snack cake that was my second favorite in the Drake’s lineup when I was a kid, right behind Ring Dings and just before Yodels. OK, so maybe behind Yodels too. πŸ™‚

A respin on the traditional dance The Devil’s Dream to incorporate Partner and Neighbor swings. This dance is a further refactoring of my contemporaneous dance The Devil’s A Swinger.

Starts with the 1s facing down in the center and 2s facing up on the outside.

A1
(6,2) 1s go down center/2s go up outside – 1s turn as couple, 2s turn alone
[I’d probably teach/prompt “centers as couples, outsides turn alone” as it fits both instances]
(6,2) 1s go up center/2s go down outside – Handy Hand Allemande 1/2x same role Neighbor to 2s in center

A2
(6,2) 1s go down outside/2s go up center – 2s turn as couple, 1s turn alone
(6,2) 1s go up outside/2s go down center – Right Hand Allemande 1/4x opposite role Neighbor
[NOTE: Couples promenade in the same direction both times]

B1
Gents Cross
Partner Swing

B2
Give & Take to Gents (N Swing), all face progression
[Alternative: Circle Left 3/4x, Neighbor Swing, all face progression]

End effects: Be mindful of the differences when changing couple numbers at the ends.
Tune suggestions:
Video:
See also: The Devil’s A Swinger, The Devil’s Dream (below)

Just FYI, the title is pronounced “I Heart Devil Dogs.”

First called by PERSON at VENUE on DATE [include links as appropriate]

Here’s the original traditional dance:

The Devil’s Dream – DI – Traditional

A1
1s face down and lead down the centre while the 2s face up and go up the outside
all turn alone and lead back to give neighbour nearest hand and half turn neighbour

A2
1s facing down the outside and 2s up the middle: lead up or down again
you promenade in the same direction both times
all turn alone and lead back to give left hands to neighbour

B1
turn neighbour into a full ladies chain across

B2
half promenade neighbour across set
half right and left back

Wild Mouse – 4 Face 4 – Don Veino 20170823

Type: Contra Dance, 4 Face 4
Status: DRAFT, EXPERIMENTAL

Amusement park ride image, 1960s
The Wild Mouse ride at Revere Beach, MA sometime in the 1960s or early ’70s
This sequence re-imagines the B parts from my dance Lobster Roll. I wanted to find another way of resolving a 4 Face 4 than has been done to date. Originally I thought of having the two Mad Robin (MR) figures be in opposite rotation with a cross-over (as in a figure 8) in the middle (a la the on the sides action in Sharon of the Green) but was concerned about the possibility of collisions while crossing.

The B1 “Experimental” bit below is my attempt to simplify the MR motion to be consistently in one rotational direction and avoid the collision issue by making the MR path for each dancer into something like a sideways “6” or “9”. The MR pieces in the B1 are in quarter multiples so the dancers can slide past each other across the set in the place between the couple dyads.

Once learned, I think this sequence will be easy to dance – given the Partners facing & associated guidance possibility in the B1 – but could be a challenge to teach!

The title of this dance comes from one of the last amusement park rides remaining at Revere Beach, Massachusetts in the late ’60s – that ride featured a series of loop-backs and sharp turns/feints that made it appear (at least to a ~8 year old) like you were going to fly off the track and land in the nearby Atlantic ocean! The B1 circuitous loops here made me think of that ride. Sadly, what was once quite a stretch of rides at that beach have since become an unbroken line of oversize condos forming a tall wall across from the sand.

A1
Rings/4 Balance, Petronella Right 1 place
Rings/4 Balance, Petronella Right 1 place

A2
Rings/4 Balance, Gents Draw Opposite Lady Back & Swing

B1
(~4) Mad Robin CW 3/4x around Opposite, Gents L->R through center first (facing P up/down)
[so temporarily we have transitory columns of 4 up/down the set with Ladies face to face and two couples “outbound” to edge of set and two couples “inbound” to cross the set]
(~4) Outbound* couples continue MR 1/2 more, WHILE inbound* couples slide straight across set to other side (so Gs behind Ls)
[to temporarily form transitory columns of 4 up/down with opposite roles facing in mini cols of 2 – have swapped inbound and outbound couples]
(~4) Outbound* couples MR 1/2x, WHILE inbound* dancers slide across to other side (L behind G)
(~2,~2) All MR 1/4x+, Ladies Pass Left up/down WHILE Gents MR 1/4x+ to face P

B2
Partner Balance & Swing, end facing progression

[*Inbound/Outbound is relative to the dancer’s (couple’s) current vector at that moment]

End effects: Remember to face progression at the end of the Partner Swing!
Tune suggestions: Bouncy As, smooth Bs
Video:
See also: Lobster Roll

Here’s a video of a different but similar Wild Mouse ride than the one I rode as a kid. Note the complete lack of safety railings on the majority of the track – that’s what got me worried about flying off into the ocean when I was a kid.

First called by PERSON at VENUE on DATE

Poussettey Spaghetti – DI – Don Veino 20170715

Type: Contra Dance, Duple ImproperImage of Camp Ogontz logo
Status: DRAFT

This dance came out of a comment my wife, Sage, once made while we were walking down to the dance hall at Ogontz camp in Lyman, NH. There was an English Country Dance session going on and Sage was ahead of me in getting towards the hall – I asked her what was going on and she said something to the effect of “I don’t know – some form of Poussettey Spaghetti.” Well that immediately went into the notebook as a future dance title!

It took me nearly a year to finally come up with the dance to fit the name – I’d penned an unpublished one earlier which worked but was too much to teach for contra dancers (used a draw poussette in addition to the conventional one here). When this simpler sequence with similar feel popped into my head I knew Poussettey Spaghetti was finally born.

A1
Neighbor Gypsy & Swing

A2
Circle Left 1x (Face P across and take 2 hands)
1/4 Poussette CW, 2 Hand Turn 1/2 CCW, 1/4 Poussette CW, separate, Gents pass Left

B1
Half Hey, pass Partner Right to start
Partner Swing

B2
Long Lines Forward & Back
Gents Pull By Right, Neighbor Allemande Left 1+1/4x (to next N…)

End effects:
Tune suggestions: Romantic yet with definite cadence
Video:
See also: Poussette in Boots

Poussette in Boots – Becket – Don Veino 20170715

Type: Contra Dance, Becket Left/CWPuss in Boots image
Status: Proven

This dance came out of playing with Poussettes towards my dance Poussettey Spaghetti, intended to be simpler than that dance. At the time of it’s composition, our daughter Raeden was obsessed with getting a cat as a pet and talked about it constantly – for that reason the play on words re: “Puss in Boots” for the title was forward in my mind.

A1
Left diagonal Circle Left 3/4x (G face back at P to take 2 hands)
Half Poussette CW, separate from Partner
Gents Allemande Left 1x (to face N)

A2
Full Hey, pass Neighbor Right to start

B1
Neighbor Gypsy & Swing

B2
Give & Take to Gents, P Swing

End effects:
Tune suggestions: Romantic yet with definite cadence
Video: coming soon
See also: Poussettey Spaghetti

First called by me at the Concord Scout House Monday Contras series 7/24/2017.

House of Love – DI – Don Veino 20170529

Type: Contra, Duple Improper
Status: Proven

This is a re-imagining of my dance Soft Gummy Tummies to provide everyone partner and neighbor swings plus allow for greater tune flexibility. Note the A-parts marching direction is reversed here vs. SGT in order to ease the A2 swing entry. An alternate approach is to have the marching start CW and continue CW all the way around the 4 sides of the box back to the start – but I prefer it as written below.

The title for this dance was supplied by our 5 year old daughter Raeden and she made this illustration to go along with it (I’m the tall guy on the right pushing the swing):House of Love drawing

A1
(Facing CCW around your hands/4 – think of the hands/4 as a box with the dancers at the corners)
(4,4) March 4 steps & turn 90 deg. left, march 4 steps more & turn to face center
[have walked around 2 sides to opposite the starting spot, facing back at original spot]
(4,4) Take 4 steps to center, loop/turn single over right shoulder to face CW back at this corner spot

A2
(Facing CW around your hands/4)
(4,4) March 4 steps & turn 90 deg. right, march 4 steps more & Ladies turn back over right shoulder
[have walked around same 2 sides back to starting corner spot]
(8) Neighbor Swing

B1
Give & Take to Gents, Partner Swing
[Alternate tune fit: Ring Balance, Gents draw Partner back to Swing]

B2
(4,4) Ring Balance, Petronella Twirl/Slide Right
(4,4) Ring Balance, Pass Through Up/Down

Tune: Softly Good Tummas still works. For others suggest bouncy/march tunes, e.g.: Keith Murphy’s Reign of Love, The Wren, Burning of the Piper’s Hut, etc.
Video: First test at the Berlin, MA Country Orchestra dance 6/3/2017

Hey, Mary Cay! – Becket DP – Don Veino 20160723

Type: Contra, Becket Double Progression
Status: DRAFT

In the past I’d played with the idea of a butterfly whirl to a Ladies allemande in the center leading into a diagonal hey, but didn’t write a complete dance with that (and worry about the inertia involved = injuries). The seed of that motion idea germinated into this dance. Made out of whole cloth, it was only after the fact I realized it shared a similarity in the A1 to a reverse role Mary Cay’s Reel. Partner Hey start was chosen to try to make it more accessible to a wider audience.

A1
LLFB
Gents Allemande Left 3/4 (to transitory wave in center)
New Gents Allemande Right 1x (to face P on left diagonal)
[encourage Gents to use the last bit of arm connection to boost each other towards P]

A2
Left Diagonal Half Hey (pass P Left to start)
#PROGRESSION
Straight Across Ladies Allemande Right 1+1/2 (to N)

B1
N Balance & Swing

B2
Give & Take to Ladies’ side, P Swing

End Effects: (to be verified) Never really out. Wait out on left diagonal, Gent will enter first via the A1 Allemande Right, Lady via the A2 Half Hey.

Seasons 8 – 4 Face 4 – Don Veino 20161204

Type: 4 Facing 4
Status: DRAFT, Experimental (Contra dancers doing a Pass the Sea?)
Tune suggestion: Thomas Shrug’s March

This is one of several of my dances in a series of “Oceans” and “Seasons” compositions which bring Ocean or Sea Waves into a 4 Facing 4 dance. It embeds a same role Hey in the center of the dance while the other role does a classic square dance (NOT Box) Circulate (called “Orbit” here for contra dancers).

I’ve NOT called or walked through this dance with dancers yet. Should you give it a go, please let me know.

A1
Give & Take (Up/Down), Lady take Neighbor Gent back and Swing

A2
(4,4) Pass the Sea* (Up/Down), Sea Wave Balance Fwd/Back
[NOTE all Ladies are on outside oval facing counter clockwise, Gents are inside facing CW]
(8) Simultaneously:
     Gents in center Half Hey (across – Gents facing center start passing LEFT)
*WHILE*
     Ladies Circulate 2 Places (wrap around ends) [I TEACH/CALL THIS AS AN ORBIT 1/2 to stay with more typical contra language for dancers]
[Form similar Ocean Waves aligned up/down with LEFT Hand to same G&T Neighbor]

B1
Wave Balance Left (toward N) & Right, Neighbor Swat the Flea
[alternate, likely to become preferred: Wave Balance Fwd/Back, Neighbor Allemande Left 1/2x]
Ladies Allemande Right 1+1/2 (to P)

B2
Partner Balance & Swing, end facing progression

*Pass the Sea is a reverse role/direction Pass The Ocean. Ladies walk to the far side, presenting left hand to the Gent they started next to, who has right hands in the center with the other Gent.

So why not the following A2? Because the Gents will arrive ~2 beats early at their spot and possibly overshoot it. This dance is not going to be called with a beginner crowd and, if the dancers can’t handle a Hey, you probably shouldn’t be calling this one.

A2
(4,4) Pass the Sea (Up/Down), Sea Wave Balance Fwd/Back
[NOTE all Ladies are on outside oval facing counter clockwise, Gents are inside facing CW]
(8) All Circulate 2 Places (wrap around ends, stay in role oval)
[Form similar Ocean Waves aligned up/down with LEFT Hand to same G&T Neighbor]

Seasons 4 – 4 Face 4 – Don Veino 20161204

Type: 4 Facing 4
Status: DRAFT, Experimental (Contra dancers doing a Pass the Sea?)
Tune suggestion: Thomas Shrug’s March

This is one of several of my dances in a series of “Oceans” and “Seasons” compositions which bring Ocean or Sea Waves into a 4 Facing 4 dance. It embeds a same role Hey in the center of the dance while the other role does a classic square dance (NOT Box) Circulate (called “Orbit” here for contra dancers).

I’ve NOT called or walked through this dance with dancers yet. Should you give it a go, please let me know.

A1
Give & Take (Up/Down), Gent take Neighbor Lady back and Swing

A2
(4,4) Pass the Sea* (Up/Down), Sea Wave Balance Fwd/Back
[NOTE all Ladies are on outside oval facing counter clockwise, Gents are inside facing CW]
(8) Simultaneously:
     Gents in center Half Hey (across – Gents facing center start passing LEFT)
*WHILE*
     Ladies Circulate 2 Places (wrap around ends) [I TEACH/CALL THIS AS AN ORBIT 1/2 to stay with more typical contra language for dancers]
[Form similar Ocean Waves aligned up/down with LEFT Hand to same G&T Neighbor]

B1
Rory Wave Balance Left (toward N) & Right, Twirl/Slide Left
Rory Wave Balance Right & Left, Twirl/Slide Right (Gents Super Twirl to P)

B2
Partner Balance & Swing, end facing progression

*Pass the Sea is a reverse role/direction Pass The Ocean. Ladies walk to the far side, presenting left hand to the Gent they started next to, who has right hands in the center with the other Gent.

So why not the following A2? Because the Gents will arrive ~2 beats early at their spot and possibly overshoot it. This dance is not going to be called with a beginner crowd and, if the dancers can’t handle a Hey, you probably shouldn’t be calling this one.

A2
(4,4) Pass the Sea (Up/Down), Sea Wave Balance Fwd/Back
[NOTE all Ladies are on outside oval facing counter clockwise, Gents are inside facing CW]
(8) All Circulate 2 Places (wrap around ends, stay in role oval)
[Form similar Ocean Waves aligned up/down with LEFT Hand to same G&T Neighbor]

Oceans 8 – 4 Face 4 – Don Veino 20161204

Type: 4 Facing 4
Status: DRAFT
Tune suggestion: Thomas Shrug’s March

This is one of several of my dances in a series of “Oceans” and “Seasons” compositions which bring Ocean or Sea Waves into a 4 Facing 4 dance. It embeds a same role Hey in the center of the dance while the other role does a classic square dance (NOT Box) Circulate (called “Orbit” here for contra dancers).

I’ve NOT called or walked through this dance with dancers yet. Should you give it a go, please let me know.

A1
Give & Take (Up/Down), Lady take Neighbor Gent back and Swing

A2
(4,4) Pass the Ocean (Up/Down), Wave Balance Fwd/Back
[NOTE all Gents are on outside oval facing clockwise, Ladies are inside facing CCW]
(8) Simultaneously:
     Ladies in center (across) Half Hey (Ladies facing center start passing Right)
*WHILE*
     Gents Circulate 2 Places (wrap around ends) [I TEACH/CALL THIS AS AN ORBIT 1/2 to stay with more typical contra language for dancers]
[Form similar Ocean Waves aligned up/down with Right Hand to same G&T Neighbor]

B1
Rory Wave Balance Right (toward N) & Left, Twirl/Slide Right
Rory Wave Balance, Twirl/Slide Left (Ladies Super Twirl to P)

B2
Partner Balance & Swing (end facing progression)

So why not the following A2? Because the Ladies will arrive ~2 beats early at their spot and possibly overshoot it. This dance is not going to be called with a beginner crowd and, if the dancers can’t handle a Hey, you probably shouldn’t be calling this one.

A2
(4,4) Pass the Ocean (Up/Down), Wave Balance Fwd/Back
[NOTE all Gents are on outside oval facing clockwise, Ladies are inside facing CCW]
(8) All Circulate 2 Places (wrap around ends)
[Form similar Ocean Waves aligned up/down with Right Hand to same G&T Neighbor]

Pony Fun – DI – Raeden Veino 20161012

Type: Contra, Duple Improper
Status: Public, Proven

This isn’t, strictly speaking, one of my dances. On 10/12/2016 at bedtime my 5 year old daughter and I had the following interaction:

Raeden: “Daddy. I want to write a new dance, Pony Fun.”
Me: “OK, how does it go?”
Raeden: “Star, Star, Swing. Swing, Courtesy Turn, Circle 3 places, Pass Through, repeat.”

A little bit of back and forth between she and I figuring out the glue resulted in the following. It’s now been called by me and other callers to reports of smooth success. Give it a try!

Update 20170720: The A parts around the second Star of this sequence has since been revised to a single file promenade (or “ponies canter around” per Raeden) to make things easier for dancers. See comment below for original A parts.

A1
(8) Star Left 1x
(8) This Neighbor Allemande Left 1+1/4x (and Lady tuck in behind N Gent to all end facing CW around current group/4)

A2
(6,2) Single file Promenade CW 3/4x (to Gent’s home side with P), Ladies turn back over Right Shoulder
(8) Partner Swing

B1
Give & Take to Gents Side, N Swing

B2
Ladies Chain
Circle Left 3/4, Pass Through

In case you may call this, Raeden’s name is pronounced “RAY-den VEE-no”

Oceans 4 – 4 Face 4 – Don Veino 20161204

Type: 4 Facing 4
Status: Public, Proven
Tune suggestion: Thomas Shrug’s March

This is one of several of my dances in a series of “Oceans” and “Seasons” compositions which bring Ocean or Sea Waves into a 4 Facing 4 dance. It embeds a same role Hey in the center of the dance while the other role does a classic square dance (NOT Box) Circulate (called “Orbit” here for contra dancers).

This dance was first called at the Monday Contras series at the Concord Scout House on 12/19/2016.

Note this dance never converts to a square formation.

A1
Give & Take (Up/Down), Gent take Neighbor Lady back and Swing

A2
(4,4) Pass the Ocean (Up/Down), Wave Balance Fwd/Back
[NOTE all Gents are on outside oval facing clockwise, Ladies are inside facing CCW]
(8) Simultaneously:
     Ladies in center (across) Half Hey (Ladies facing center start passing Right)
*WHILE*
     Gents Circulate 2 Places (wrap around ends) [I TEACH/CALL THIS AS AN ORBIT 1/2 to stay with more typical contra language for dancers]
[Form similar Ocean Waves aligned up/down with Right Hand to same G&T Neighbor]

B1
Wave Balance Right (toward N) & Left, Neighbor Box the Gnat [like the feel but handhold change req’d]
[Not yet tested variation – but what I expect will become the std: Balance Fwd/Back, N Allemande Rt 1/2x]
Gents Allemande Left 1+1/2 (to P)

B2
Partner Balance & Swing, end facing progression

So why not the following A2? Because the Ladies will arrive ~2 beats early at their spot and possibly overshoot it. This dance is not going to be called with a beginner crowd and, if the dancers can’t handle a Hey, you probably shouldn’t be calling this one.

A2
(4,4) Pass the Ocean (Up/Down), Wave Balance Fwd/Back
[NOTE all Gents are on outside oval facing clockwise, Ladies are inside facing CCW]
(8) All Circulate 2 Places (wrap around ends)
[Form similar Ocean Waves aligned up/down with Right Hand to same G&T Neighbor]