Category Archives: DRAFT

Becky’s Boulder – DI – Don Veino 20180522

Type: Contra Dance, Duple Improper
Status: DRAFT

One of several related dances composed this date which were inspired by the new Becky Tracy tune Black Rock, off the Eloise & Co. album with Rachel Bell. Yeah, I love the tune. πŸ˜‰

A1
Wave/4 across Balance Right & Left, Slide/Twirl Right
Wave/4 across Balance Left & Right, Slide/Twirl Left

A2
Neighbor Gypsy & Swing

B1
Give & Take to Gents, Partner Swing

B2
Pass the Ocean to Wave/4 across, Balance Fwd/Back
Gents Orbit 1/2x CW *WHILE* Ladies Allemande Left 1x and all step forward
[to new Wave/4]

End effects: none
Tune suggestions: Bouncy and driving – composed to match Becky Tracy’s tune Black Rock, others include Circular Reel (Daniel Boucher), Epic Reel (Keith Murphy), etc.
Video:
See also: Rockslide, You Caught My Eye
First called by PERSON at VENUE on DATE.

Hey, Ack is Back! – DI – Don Veino 20180711

Type: Contra Dance, Duple Improper
Status: DRAFT

Named in celebration of Lynn Ackerson having completed her Veterinary Tech program and, hopefully, her return to the contra dance community. Lynn’s an all around good egg and was very welcoming and helpful to me as I started calling contras. Until deep in her school program, she was the person that organized and put together the contra medleys for the first few times I called the New England Folk Festival. Welcome back, Lynn!

A1
Neighbor Balance & Swing

A2
Down and Up the Hall as in Dublin Bay, bend the line
[Dublin Bay = 4 steps facing down, turn alone, continue down backing up 4 steps. Come back up in similar style.]

B1
Ring/4 Balance, Petronella Slide/Twirl 1 place, Partner Swing on side

B2
Gents LH Open Chain (G Pull By Left, N Allemande Right 3/4x) [or actual Gent’s Chain w/Courtesy Turn]
Half Hey (Gents Pass Left) to next

End effects:
Tune suggestions: Bouncy/driving high energy
Video:
See also: Butty Dance
First called by PERSON at VENUE on DATE

The Bubbles Incident – Becket – Don Veino 20180620

Not THE bubbles incident - but close to another!
Not THE bubbles incident – but close to another!
Type: Contra Dance, Becket Left/CW
Status: DRAFT

I was playing with new ways to do a Down-the-Hall dance – in particular, how to achieve the progression. I hit on the idea of a ring of dancers going down and then twirling to change facing direction into a new ring before coming back up… and realized this could work in a duple longways as well as a 4-face-4 setting – this is the longways dance.

The title here was inspired by an event with our daughter in her first grade class at school. They were doing bubble painting, where the kids blow bubbles into liquid tempera paint with glycerin and then use the bubbles to create a design on paper. However, our daughter got so carried away with the fun and laughing that she forgot you needed to blow out and ended up sucking the painty bubbles into her mouth – yuck! The rings/4 here reminded me of the bubbles in that infamous family incident.

While not yet tried out, I expect you’ll want to have the lines stretch down a bit to make room for rings/4 going down the hall… but not too far.

A1
Long Lines Forward & Back
Circle RIGHT 3/4x (to the 1s face up, 2s down)

A2
(~7) Ring/4 Down the Hall (2s are walking forward, 1s backward as the 2s steer)
(~2) Turn Alone (inwards, glance at partner as continue turning to face next couple)
(~7) New Ring/4 Up the Hall (2s are walking forward, 1s backward as 2s steer)

B1
Ring/4 Balance, Gent Roll Partner Away across
Neighbor Swing

B2
Ladies Allemande Right 1+1/2x (Alt.: Circle Left 3/4x), Partner Swing

End effects: Wait out Indecent (Gent on Right, Lady Left) to enter the A2 Ring. The rest is somewhat straightforward but just to be complete: twos pay attention to the line’s movement so as to be in place to form the new ring at the bottom (and scoot out of the way when ejected at the top). New ones wait out at the top for the twos to come up the hall to you.
Tune suggestions:
Video:
See also: the 4-Face-4 mentioned above and another slightly crazier DI dance (coming soon!)

First called by PERSON at VENUE on DATE

Swinging Chainsaws – DI – Don Veino 20171006

Type: Contra Dance, Duple Improper
Status: DRAFT (but proven via transitive property…)

This dance is one of a set that grew out of my work on (Like) Juggling Chainsaws. There is a mirror role and move dance to this one, Dosi Dude, which could be paired with this for an alternating dance.

The dance is pleasantly simple yet slightly different due to the Dosido to face away transition. The Chain/CT and pull into the See Saw on the side should work well (the mirror move in Dosi Dude does). Encourage the dancers to use the full measure of each phrase of the music for the moves – the dance could get “big” as a result.

A1
Neighbor Balance & Swing

A2
Ladies RH Chain
Ladies See Saw

B1
Partner Balance & Swing

B2
Ladies RH Chain (keep LH connected with Neighbor as you face them up/down to pull into a…)
Neighbor See Saw (and look away to next)

End effects:
Tune suggestions:
Video:
See also: (Like) Juggling Chainsaws, Dosi Dude

First called by PERSON at VENUE on DATE.

The Devils A Swinger – DI – Don Veino 20171012

Type: Contra Dance, Duple Improper
Status: DRAFT

The actual title of this dance is “The Devil’s A Swinger” but WordPress currently won’t show the post if any form of apostrophe is used in the post title, so this is the second try without the punctuation. πŸ™

A respin on the traditional dance Devil’s Dream to incorporate swings yet retain much of the tradtional feel. This dance was inspired by the posting of Devil’s Dream on the Shared Weight Caller’s List – I really liked the A parts action of that traditional dance but know there would be dancer complaints about the no swings situation were I to call it at an average dance in the USA. I put a wrinkle in the A parts here (vs. Devil’s Dream) to get the dancers across the set and then set up and add the swings. I’ve refactored this further to create I ♥ Devil Dogs.

Starts with the 1s facing down in the center and 2s facing up on the outside.

A1
(6,2) 1s go down center/2s go up outside – 1s turn as couple, 2s turn alone
[I’d probably teach/prompt “centers as couples, outsides turn alone” as it fits both instances]
(6,2) 1s go up center/2s go down outside – Handy Hand Allemande 1/2x same role Neighbor to 2s in center

A2
(6,2) 1s go down outside/2s go up center – 2s turn as couple, 1s turn alone
(6,2) 1s go up outside/2s go down center – Right Hand Allemande 1/4x opposite role Neighbor
[NOTE: Couples promenade in the same direction both times]

B1
Half Hey (G Pass Left to start)
Neighbor Swing

B2
Long Lines Forward & Back [Alternative: Circle Left 1x]
1s Swing in Center, all face progression

End effects: Be mindful of the differences when changing couple numbers at the ends.
Tune suggestions:
Video:
See also: I ♥ Devil Dogs, The Devil’s Dream (below)

First called by PERSON at VENUE on DATE [include links as appropriate]

Here’s the original traditional dance:

The Devil’s Dream – DI – Traditional

A1
1s face down and lead down the centre while the 2s face up and go up the outside
all turn alone and lead back to give neighbour nearest hand and half turn neighbour

A2
1s facing down the outside and 2s up the middle: lead up or down again
you promenade in the same direction both times
all turn alone and lead back to give left hands to neighbour

B1
turn neighbour into a full ladies chain across

B2
half promenade neighbour across set
half right and left back

I ♥ Devil Dogs – DI – Don Veino 20171012

Type: Contra Dance, Duple Improper
Status: DRAFT

Yep, named for the snack cake that was my second favorite in the Drake’s lineup when I was a kid, right behind Ring Dings and just before Yodels. OK, so maybe behind Yodels too. πŸ™‚

A respin on the traditional dance The Devil’s Dream to incorporate Partner and Neighbor swings. This dance is a further refactoring of my contemporaneous dance The Devil’s A Swinger.

Starts with the 1s facing down in the center and 2s facing up on the outside.

A1
(6,2) 1s go down center/2s go up outside – 1s turn as couple, 2s turn alone
[I’d probably teach/prompt “centers as couples, outsides turn alone” as it fits both instances]
(6,2) 1s go up center/2s go down outside – Handy Hand Allemande 1/2x same role Neighbor to 2s in center

A2
(6,2) 1s go down outside/2s go up center – 2s turn as couple, 1s turn alone
(6,2) 1s go up outside/2s go down center – Right Hand Allemande 1/4x opposite role Neighbor
[NOTE: Couples promenade in the same direction both times]

B1
Gents Cross
Partner Swing

B2
Give & Take to Gents (N Swing), all face progression
[Alternative: Circle Left 3/4x, Neighbor Swing, all face progression]

End effects: Be mindful of the differences when changing couple numbers at the ends.
Tune suggestions:
Video:
See also: The Devil’s A Swinger, The Devil’s Dream (below)

Just FYI, the title is pronounced “I Heart Devil Dogs.”

First called by PERSON at VENUE on DATE [include links as appropriate]

Here’s the original traditional dance:

The Devil’s Dream – DI – Traditional

A1
1s face down and lead down the centre while the 2s face up and go up the outside
all turn alone and lead back to give neighbour nearest hand and half turn neighbour

A2
1s facing down the outside and 2s up the middle: lead up or down again
you promenade in the same direction both times
all turn alone and lead back to give left hands to neighbour

B1
turn neighbour into a full ladies chain across

B2
half promenade neighbour across set
half right and left back

Wild Mouse – 4 Face 4 – Don Veino 20170823

Type: Contra Dance, 4 Face 4
Status: DRAFT, EXPERIMENTAL

Amusement park ride image, 1960s
The Wild Mouse ride at Revere Beach, MA sometime in the 1960s or early ’70s
This sequence re-imagines the B parts from my dance Lobster Roll. I wanted to find another way of resolving a 4 Face 4 than has been done to date. Originally I thought of having the two Mad Robin (MR) figures be in opposite rotation with a cross-over (as in a figure 8) in the middle (a la the on the sides action in Sharon of the Green) but was concerned about the possibility of collisions while crossing.

The B1 “Experimental” bit below is my attempt to simplify the MR motion to be consistently in one rotational direction and avoid the collision issue by making the MR path for each dancer into something like a sideways “6” or “9”. The MR pieces in the B1 are in quarter multiples so the dancers can slide past each other across the set in the place between the couple dyads.

Once learned, I think this sequence will be easy to dance – given the Partners facing & associated guidance possibility in the B1 – but could be a challenge to teach!

The title of this dance comes from one of the last amusement park rides remaining at Revere Beach, Massachusetts in the late ’60s – that ride featured a series of loop-backs and sharp turns/feints that made it appear (at least to a ~8 year old) like you were going to fly off the track and land in the nearby Atlantic ocean! The B1 circuitous loops here made me think of that ride. Sadly, what was once quite a stretch of rides at that beach have since become an unbroken line of oversize condos forming a tall wall across from the sand.

A1
Rings/4 Balance, Petronella Right 1 place
Rings/4 Balance, Petronella Right 1 place

A2
Rings/4 Balance, Gents Draw Opposite Lady Back & Swing

B1
(~4) Mad Robin CW 3/4x around Opposite, Gents L->R through center first (facing P up/down)
[so temporarily we have transitory columns of 4 up/down the set with Ladies face to face and two couples “outbound” to edge of set and two couples “inbound” to cross the set]
(~4) Outbound* couples continue MR 1/2 more, WHILE inbound* couples slide straight across set to other side (so Gs behind Ls)
[to temporarily form transitory columns of 4 up/down with opposite roles facing in mini cols of 2 – have swapped inbound and outbound couples]
(~4) Outbound* couples MR 1/2x, WHILE inbound* dancers slide across to other side (L behind G)
(~2,~2) All MR 1/4x+, Ladies Pass Left up/down WHILE Gents MR 1/4x+ to face P

B2
Partner Balance & Swing, end facing progression

[*Inbound/Outbound is relative to the dancer’s (couple’s) current vector at that moment]

End effects: Remember to face progression at the end of the Partner Swing!
Tune suggestions: Bouncy As, smooth Bs
Video:
See also: Lobster Roll

Here’s a video of a different but similar Wild Mouse ride than the one I rode as a kid. Note the complete lack of safety railings on the majority of the track – that’s what got me worried about flying off into the ocean when I was a kid.

First called by PERSON at VENUE on DATE

Strolling & Rolling – Becket – Don Veino 20170725

Type: Contra Dance, Becket Left/CW
Status: DRAFT

This dance sprang out of my interest in doing something unique out of a Partner Roll Away. I’ve experienced other callers’ attempts at making a roll away feed something with Partner focus like a roll to a swing – and there’s always been some significant flow issue, because the lingering tension from the last contact in the roll got in the way. This dance was crafted specifically to use that tension to launch the next action: entering a hey.

This is most likely an intermediate level dance due to the need for timely and slightly differing action in the A2 as well as the need for good dancer technique to make the roll to heys timing work and everyone end up in the right places. Because all the hey action is focused on Partners, the dance should provide effective recovery points that would keep it out of “advanced” territory.

So far this dance has been walked through successfully but not yet called/danced. I’ve since leveraged this roll to hey into a 4 Face 4 dance, Lobster Roll.

A1
Left Diagonal Circle 3/4x, Swing Neighbor
[first time through, circle is straight across]

A2
(8) Ladies Chain (to P) to face down the hall (so Courtesy Turn = different fractions for 1s and 2s)
(6,2) Down the Hall in Line/4, Gents Roll Partner w/HS (face Partner across set)

B1
Half Hey (pass P Left to start, end in mirror position of start, facing up, Ladies on left of P)
(6,2) Up the Hall in Line/4, Gents Roll Partner w/HS (face P across set)

B2
Half Hey (pass P Right to start, end in mirror position of start, facing P)
Partner Swing

End effects: Wait out on left diagonal to enter in the circle
Tune suggestions: Strongly phrased/driving smooth tunes
Video:
See also: Lobster Roll, The Right In Tension

First called by PERSON at VENUE on DATE

Counter Clock-Weiss – DI – Don Veino 20170729

Type: Contra Dance, Duple Improper
Status: DRAFT, EXPERIMENTAL

Eph & Raeden waltzing
Eph Weiss and our daughter Raeden doing their first waltz in 2013.

This dance was written in memoriam to Eph Weiss. Eph was an active dancer in many folk styles in the Boston, MA area up until nearly his 93rd birthday and was known for doing a CCW Swing to give his knees some relief.

Eph had the grace to be able to substitute a CCW Swing for a conventional Swing and have it work smoothly. In this dance, I rely less on the skill of dancers to accomplish that by making all the moves in the dance facilitate CCW Swings. Because of that, the dance counts on ending the CCW swings (done in reverse ballroom position or other comfortable hold) with the Gent on the right. For a conventional swing respin of this dance, see Ephervescence.

Note that this dance and Ephervescence are sufficiently similar/tune equivalent that they could be easily medleyed to provide dancers the novelty of reverse action for a short while and then switch to conventional moves.

Unbeknownst to me while Eph was still dancing with us, some dancers had nicknamed him “Counter Clock-Weiss” – it seemed the perfect title for this composition!

A1
Neighbor LEFT Gypsy 1x
Gents Pass Right, Half Hey

A2
Neighbor LEFT Gypsy & CCW Swing (end with Gent on RIGHT)

B1
Give & Take to Gents, Partner CCW Swing (end with Gent on RIGHT)

B2
Long Lines Forward & Back
Star Right 3/4x to next

End effects: Wait out crossed over.
Tune suggestions:
Video:
See also: Ephervescence

This has been dry run with some dancers on the sideline successfully, but not yet called/danced.

Poussettey Spaghetti – DI – Don Veino 20170715

Type: Contra Dance, Duple ImproperImage of Camp Ogontz logo
Status: DRAFT

This dance came out of a comment my wife, Sage, once made while we were walking down to the dance hall at Ogontz camp in Lyman, NH. There was an English Country Dance session going on and Sage was ahead of me in getting towards the hall – I asked her what was going on and she said something to the effect of “I don’t know – some form of Poussettey Spaghetti.” Well that immediately went into the notebook as a future dance title!

It took me nearly a year to finally come up with the dance to fit the name – I’d penned an unpublished one earlier which worked but was too much to teach for contra dancers (used a draw poussette in addition to the conventional one here). When this simpler sequence with similar feel popped into my head I knew Poussettey Spaghetti was finally born.

A1
Neighbor Gypsy & Swing

A2
Circle Left 1x (Face P across and take 2 hands)
1/4 Poussette CW, 2 Hand Turn 1/2 CCW, 1/4 Poussette CW, separate, Gents pass Left

B1
Half Hey, pass Partner Right to start
Partner Swing

B2
Long Lines Forward & Back
Gents Pull By Right, Neighbor Allemande Left 1+1/4x (to next N…)

End effects:
Tune suggestions: Romantic yet with definite cadence
Video:
See also: Poussette in Boots

Horseplay – DI – Don Veino 20170714

Type: Contra, Duple Improper
Status: DRAFT

A riff on our daughter Raeden’s Pony Fun, leveraging the A parts of that dance.

I’ve been on the lookout for an opportunity to get Gents in on the Rory O’Moore “super twirl across the set” fun – this one delivers it. The wave balance and Rory twirl here atypically cross the B1→B2 phrase boundary but will work out fine.

A1
(8) Star Left 1x
(8) This Neighbor Allemande Left 1+1/4x (and Lady tuck in behind N Gent to end facing CW around current group/4)

A2
(6,2) Single file Promenade CW 3/4x (to Gent’s home side with P), Ladies turn back over Right Shoulder
(8) Partner Swing

B1
(8) Long Lines Forward & Back
(4,4) Pass The Ocean, Short Wave Balance Right & Left

B2
(4) Slide/Twirl Right (Gents Super Twirl across to N)
(12) Neighbor Swing (and look away to new…)

End effects: None, couples cross over.
Tune suggestions: Bouncy jigs, French Canadian tunes.
Video:
See also: Pony Fun, Super Robin

Oh, Yeah! – DI – Don Veino 20170428

Type: Contra, Duple Improper
Status: DRAFT

Alternative Title: When I’m Sixty Four
as in (sung to the refrain of the Beatles tune of the same name):

Am I too dizzy?
Will you still dance me?
When I’m sixty four?

More Mad Robin sequence investigation. In this dance I revisit a theme from my prior “Cricket’s Reboot” dance inspired by Kent Koeninger’s “Cricket’s Delight” – in this case the rest of the dance resolves differently (and – I think – with more elegance).

Some callers would disqualify this dance based on a CW beat count using the simplistic “40 CW beats” filter for potential dizziness. I’ve investigated the “dizziness power” of CW moves and my contention is that certain moves with fixed facing direction have effectively zero dizziness impact (e.g. Mad Robin) and others are perceived in proportion to the radius of the move and the degree to which dancers face along the radius (Swings = most dizzy). This dance is an experimental proof of concept to test my theory – chock full of CW goodness! I welcome you to give this ostensibly dizzy (56 to up to 64 CW beat count) dance a trial and prove to yourself it’s not “Too Dizzy”.

Can also be called as a Becket CW dance, starting at the B2. Several B2 alternatives included below for anticipated live testing.

The title is a nod to the classic Mello Yello song and I encourage you to say it the same way. πŸ™‚

A1
Neighbor Gypsy & Swing [ALT: Dosido & Swing]

A2
Mad Robin 1x (Gents L->R through Center first, facing P across)
Gents Gypsy Left 1x
     WHILE
Ladies Orbit CW 1/2x

B1
Partner Gypsy & Swing

B2 (preferred, but will timing work?)
(6) Circle Left 3/4x
(2) Half Zig Left (forward & left 2 steps, to pass current N Couple by Right Shoulders)
(6) Next Couple Dosido 3/4x (to face this second couple)

B2 Alternative 1 (preserves CW motion theme but I like the feel less; easier end effects?)
(6) Circle Left 3/4x
(8) Current Neighbors Couple Dosido 1x
(2) Pass Through to next

B2 Alternative 2 (good feel if Roll well done; doesn’t fit CW theme as well)
LLF & Ladies Roll Gents L->R on way back
Star Left 3/4x

B2 Alternative 3 (double progression; doesn’t fit CW theme as well)
(6) Circle Left 3/4x
(4,4) Couple Zig-Zag, to left around current Neighbors, to right around 2nd, to face 3rd couple

Hey, Aren’t You With Me? – Becket – Don Veino 20170416

Type: Contra Dance, Becket Left/CW Formation
Status: DRAFT

Another dance playing with Mad Robin transitions (see similar posts). In a way this is a return to one of my earliest dances (Raeden’s Curls), which used a Mad Robin 1+1/4 – Slide – Gents Pass & P Swing sequence. Here the extended motion Mad Robin sets up parallel full Heys where the partners diverge & travel separately (with a Shadow) to subsequently reconnect.

NOTE: this dance can also be danced without the parallel Heys, if the A2 Mad Robin is 1+1/4x around instead. In this case, the Partners will dance together (without Shadows) for the full Hey but they may come back together a beat or two before the B2 phrase – such that having the Ladies do a Bounce Back to let the Gents pass right to start the Hey may be more appropriate for timing.

A1
Slide Left, Single File Promenade CW 3 places, Ladies Turn Back (or, of course, Circle Left 3/4x on diagonal)
Neighbor Swing

A2
Ladies Chain (to P)
Mad Robin 1+1/2x (looking across at a Neighbor) until Partners slide into separate adjacent columns, all facing center
[Gents slide right on the outside, Ladies slide left and are facing in middle. Shadow is the opposite role person closest to you in this column, MR Neighbor is the furthest.]

B1
Full Hey, Ladies Pass Right to start

B2
[look to adjacent Hey]
Partner Balance & Swing

End effects: To be confirmed – should be somewhat funky but workable. When ejected from the Mad Robin, dancers can either do the Full Hey with a Neighbor and the couple waiting out (which should include at least one shadow), or Hey with ghosts (if nobody’s there), or simply wait for their partner to return from their own Hey. When really out, wait on the left side and enter via the A1 Slide Left.

(Like) Juggling Chainsaws – DI – Don Veino 20170406

Type: Contra, Duple Improper
Status: DRAFT

For this dance the Chain to See Saw[1] progression idea (the “experimental” part) came first. Then the title[2], which implied there must be more than a single Chain/Saw, which drove the rest of the composition. To minimize dizziness risk, one can omit twirling in their See Saw, if desired.

This is most likely an Intermediate to Advanced level dance, given the lack of easy recovery points (like Long Lines) while containing quite a bit of disconnected motion.

UPDATE 20171005:

Since my original posting of this dance, I’d put it aside wanting to come back and refine it (I do this when I’m too engrossed in a particular sequence as a way to reset my brain and find “grace” or “simplicity” in the sequence later). Shortly thereafter a solution offered itself – which I’ve only just now transcribed from my notebook. The post has been updated to show my revised solution – I’ve left the original “experimental” draft at the end of this post so one may see the evolution (if interested).

A1
Neighbor Balance & Swing

A2
(8) Gents LH Chain (to P)
(8) Gents See Saw 1+1/2x (or See Saw 1x and pass Lefts across)
WHILE
Ladies Orbit CW 1/2x (Pass RT shoulder w/next Lady)

B1
Partner Balance & Swing

B2
Ladies RH Chain, ending Courtesy Turn facing N (up/down, reverse of progression), keep left hands w/N
(pull into) See Saw 1x with THIS Neighbor, end facing NEXT Neighbor

End effects: Wait out crossed over for N to come to you out of B2 See Saw.

Notes:

[1] See Saw = Left Shoulder/CCW orbiting Dosido

[2] Original title ideas included “Concord Chainsaw Massacre” which I thought was pretty catchy/fun for horror movie fans (playing off the Texas named classic) but potentially off-putting to others. The new title still fits in the Chain & See-Saw play on words while hopefully being less discomforting. πŸ™‚

See Also: There’s a series of dances featuring this Chain/See-saw concept and the Roll Away to Partner Shoulder Pass used in my Strolling & Rolling and Lobster Roll dances, which should be posted shortly.

ORIGINAL EXPERIMENTAL DRAFT:

If the timing turns out as I expect, the Orbit and Gent’s chain to Courtesy Turn transition should be a wonderful pairing of clockwork action and delicious momentum. Or an utter disaster. πŸ™‚

A1
Neighbor Balance & Swing

A2
(8) Gents See Saw[1] 1x WHILE Ladies Orbit CW 1/2x (Pass RT shoulder w/next Lady)
(8) Gents LH Chain (to N)

B1
Gents Cross, Passing Lefts
Partner Swing

B2
Ladies RH Chain with partial CT to end facing CCW around oval, Ladies go forward along the side while Gents turn over their LT Shoulder
See Saw Next Neighbor

End effects: Wait out crossed over, ready to come in for the B2 See Saw.

Notes:

Of course, there are prior dances using a Ladies Chain to progress and Dosido as a linking move, either as the last of B2 or first of A1. I’ve not yet encountered a Chain to See Saw combination as used here – there may be good reason for that.

Should the original B2 above not work out well when danced, there’s a similar alternative which should:
B2
Ladies Pull by Right, Neighbor Allemande Left 1/2
(to face progression – Ladies CCW, Gents CW around oval)
Walk Forward and Dosido next Neighbor

Tale of the Tricky Triple Timer – DI – Don Veino 20170218

Type: Contra, Duple Improper
Status: DRAFT, EXPERIMENTAL

I’m still playing with this one a bit.

This dance features two “deconstructed” chains – one for each role. Regular chains with Courtesy Turn would be functionally equivalent and may be used instead, but I wanted to provide an opportunity for eye play and also to avoid the need to free hands out of the Courtesy Turn for the subsequent Balance. For related themes, see also my Dirty Rotten Double Crosser and Double Crossed Again! dances.

A1
Neighbor RH Balance, Square Through 2 (pull by N right, P left)
Neighbor Swing (on away side)

A2
Ladies Pull by Right, Walk Around* Left/CCW Partner to all face in
[this is effectively a Ladies Chain with an eye contact Courtesy Turn – encourage Partner eye connection through the Walk Around]
Neighbor across RH Balance, Square Through 2 (N right, P left)

B1
Shadow Balance and Box the Gnat/Pull by back to P [or Shadow’s choice, e.g.: Allemande Right, Walk Around*, etc.]
Partner Swing (on Gent’s home side)

B2
Gents Pull by Left, Walk Around* Right/CW Neighbor to all face in
[this is effectively a Gent’s (LH) Chain with an eye contact Courtesy Turn – encourage Neighbor eye connection through the Walk Around]
Partner across RH Balance, Square Through 2 (P right, N left) to next N up/down

*Walk Around is also known as Gypsy.

Hey, Mary Cay! – Becket DP – Don Veino 20160723

Type: Contra, Becket Double Progression
Status: DRAFT

In the past I’d played with the idea of a butterfly whirl to a Ladies allemande in the center leading into a diagonal hey, but didn’t write a complete dance with that (and worry about the inertia involved = injuries). The seed of that motion idea germinated into this dance. Made out of whole cloth, it was only after the fact I realized it shared a similarity in the A1 to a reverse role Mary Cay’s Reel. Partner Hey start was chosen to try to make it more accessible to a wider audience.

A1
LLFB
Gents Allemande Left 3/4 (to transitory wave in center)
New Gents Allemande Right 1x (to face P on left diagonal)
[encourage Gents to use the last bit of arm connection to boost each other towards P]

A2
Left Diagonal Half Hey (pass P Left to start)
#PROGRESSION
Straight Across Ladies Allemande Right 1+1/2 (to N)

B1
N Balance & Swing

B2
Give & Take to Ladies’ side, P Swing

End Effects: (to be verified) Never really out. Wait out on left diagonal, Gent will enter first via the A1 Allemande Right, Lady via the A2 Half Hey.

Slice AlleMANde – Becket – Don Veino 20160918

Type: Contra, Becket
Status: DRAFT

One of two takes on a similar theme – for a less zesty dance, see my Slicing the Waves.

A1
Slice Forward Left
Gents Allem Rt 3/4 *WHILE* Ladies Loop over their Left shoulder 3/4 to face CCW on the side
[All give P LH to form a wave]
Wave Balance Rt & Lt, Gents Rory Slide/Twirl Right to cross set to N

A2
Neighbor Balance & Swing

B1
Ladies Chain
Half Hey, Ladies Start by Right

B2
Partner Balance & Swing

Slicing the Waves – Becket – Don Veino 20160918

Type: Contra, Becket
Status: DRAFT

One of two takes on a similar theme – for a zestier dance see my Slice AlleMANde.

A1
Slice Forward Left, to Gents form Wave in Center
Gents Wave Balance Right & Left *WHILE* Ladies Fall Straight Back
[or even better, Ladies Loop over their Left shoulder 3/4 to face CCW on the side]
Gents Allemande Right 3/4 to short Wave, P in LH, Wave Balance

A2
Gents Rory Slide/Twirl Right to cross set to N
Neighbor Swing

B1
Ladies Chain
Half Hey, Ladies Start by Right

B2
Partner Balance & Swing

Seasons 8 – 4 Face 4 – Don Veino 20161204

Type: 4 Facing 4
Status: DRAFT, Experimental (Contra dancers doing a Pass the Sea?)
Tune suggestion: Thomas Shrug’s March

This is one of several of my dances in a series of “Oceans” and “Seasons” compositions which bring Ocean or Sea Waves into a 4 Facing 4 dance. It embeds a same role Hey in the center of the dance while the other role does a classic square dance (NOT Box) Circulate (called “Orbit” here for contra dancers).

I’ve NOT called or walked through this dance with dancers yet. Should you give it a go, please let me know.

A1
Give & Take (Up/Down), Lady take Neighbor Gent back and Swing

A2
(4,4) Pass the Sea* (Up/Down), Sea Wave Balance Fwd/Back
[NOTE all Ladies are on outside oval facing counter clockwise, Gents are inside facing CW]
(8) Simultaneously:
     Gents in center Half Hey (across – Gents facing center start passing LEFT)
*WHILE*
     Ladies Circulate 2 Places (wrap around ends) [I TEACH/CALL THIS AS AN ORBIT 1/2 to stay with more typical contra language for dancers]
[Form similar Ocean Waves aligned up/down with LEFT Hand to same G&T Neighbor]

B1
Wave Balance Left (toward N) & Right, Neighbor Swat the Flea
[alternate, likely to become preferred: Wave Balance Fwd/Back, Neighbor Allemande Left 1/2x]
Ladies Allemande Right 1+1/2 (to P)

B2
Partner Balance & Swing, end facing progression

*Pass the Sea is a reverse role/direction Pass The Ocean. Ladies walk to the far side, presenting left hand to the Gent they started next to, who has right hands in the center with the other Gent.

So why not the following A2? Because the Gents will arrive ~2 beats early at their spot and possibly overshoot it. This dance is not going to be called with a beginner crowd and, if the dancers can’t handle a Hey, you probably shouldn’t be calling this one.

A2
(4,4) Pass the Sea (Up/Down), Sea Wave Balance Fwd/Back
[NOTE all Ladies are on outside oval facing counter clockwise, Gents are inside facing CW]
(8) All Circulate 2 Places (wrap around ends, stay in role oval)
[Form similar Ocean Waves aligned up/down with LEFT Hand to same G&T Neighbor]

Seasons 4 – 4 Face 4 – Don Veino 20161204

Type: 4 Facing 4
Status: DRAFT, Experimental (Contra dancers doing a Pass the Sea?)
Tune suggestion: Thomas Shrug’s March

This is one of several of my dances in a series of “Oceans” and “Seasons” compositions which bring Ocean or Sea Waves into a 4 Facing 4 dance. It embeds a same role Hey in the center of the dance while the other role does a classic square dance (NOT Box) Circulate (called “Orbit” here for contra dancers).

I’ve NOT called or walked through this dance with dancers yet. Should you give it a go, please let me know.

A1
Give & Take (Up/Down), Gent take Neighbor Lady back and Swing

A2
(4,4) Pass the Sea* (Up/Down), Sea Wave Balance Fwd/Back
[NOTE all Ladies are on outside oval facing counter clockwise, Gents are inside facing CW]
(8) Simultaneously:
     Gents in center Half Hey (across – Gents facing center start passing LEFT)
*WHILE*
     Ladies Circulate 2 Places (wrap around ends) [I TEACH/CALL THIS AS AN ORBIT 1/2 to stay with more typical contra language for dancers]
[Form similar Ocean Waves aligned up/down with LEFT Hand to same G&T Neighbor]

B1
Rory Wave Balance Left (toward N) & Right, Twirl/Slide Left
Rory Wave Balance Right & Left, Twirl/Slide Right (Gents Super Twirl to P)

B2
Partner Balance & Swing, end facing progression

*Pass the Sea is a reverse role/direction Pass The Ocean. Ladies walk to the far side, presenting left hand to the Gent they started next to, who has right hands in the center with the other Gent.

So why not the following A2? Because the Gents will arrive ~2 beats early at their spot and possibly overshoot it. This dance is not going to be called with a beginner crowd and, if the dancers can’t handle a Hey, you probably shouldn’t be calling this one.

A2
(4,4) Pass the Sea (Up/Down), Sea Wave Balance Fwd/Back
[NOTE all Ladies are on outside oval facing counter clockwise, Gents are inside facing CW]
(8) All Circulate 2 Places (wrap around ends, stay in role oval)
[Form similar Ocean Waves aligned up/down with LEFT Hand to same G&T Neighbor]

Oceans 8 – 4 Face 4 – Don Veino 20161204

Type: 4 Facing 4
Status: DRAFT
Tune suggestion: Thomas Shrug’s March

This is one of several of my dances in a series of “Oceans” and “Seasons” compositions which bring Ocean or Sea Waves into a 4 Facing 4 dance. It embeds a same role Hey in the center of the dance while the other role does a classic square dance (NOT Box) Circulate (called “Orbit” here for contra dancers).

I’ve NOT called or walked through this dance with dancers yet. Should you give it a go, please let me know.

A1
Give & Take (Up/Down), Lady take Neighbor Gent back and Swing

A2
(4,4) Pass the Ocean (Up/Down), Wave Balance Fwd/Back
[NOTE all Gents are on outside oval facing clockwise, Ladies are inside facing CCW]
(8) Simultaneously:
     Ladies in center (across) Half Hey (Ladies facing center start passing Right)
*WHILE*
     Gents Circulate 2 Places (wrap around ends) [I TEACH/CALL THIS AS AN ORBIT 1/2 to stay with more typical contra language for dancers]
[Form similar Ocean Waves aligned up/down with Right Hand to same G&T Neighbor]

B1
Rory Wave Balance Right (toward N) & Left, Twirl/Slide Right
Rory Wave Balance, Twirl/Slide Left (Ladies Super Twirl to P)

B2
Partner Balance & Swing (end facing progression)

So why not the following A2? Because the Ladies will arrive ~2 beats early at their spot and possibly overshoot it. This dance is not going to be called with a beginner crowd and, if the dancers can’t handle a Hey, you probably shouldn’t be calling this one.

A2
(4,4) Pass the Ocean (Up/Down), Wave Balance Fwd/Back
[NOTE all Gents are on outside oval facing clockwise, Ladies are inside facing CCW]
(8) All Circulate 2 Places (wrap around ends)
[Form similar Ocean Waves aligned up/down with Right Hand to same G&T Neighbor]

Gary’s Reel Too – DI – Don Veino 20161113

Type: Contra, Duple Improper
Status: DRAFT

Role reversed re-imagining of my dance Ruth’s (For) Reel; Gary is Ruth’s husband. In contrast to the common case, the Gents get to do most of the running around in this one.

A1
LLF, Gents Roll NEXT (Left Hand) Neighbor Lady Left->Right on way back
Mad Robin, Gents through center first/CW (so looking at P across)

A2
Gents Chain (LH pull by, Right to P, Ladies Courtesy Turn Gent CW)
Mad Robin, Gents through center first/CW (so looking at N across)
(look away from P to Shadow)

B1
Gypsy Left Shadow
Partner Swing

B2
Gents Pull By Left (to current N)
Neighbor Swing
#PROGRESSION

End effects: never really out, wait for A2 Shadow Gypsy before crossing over at ends (and face across to P). Will come in on the A1 Long Lines.

Dancers may tend to want to rush through, encourage them to take the full 8 beats where provided – have sets space out nicely to make room for graceful, sweeping Mad Robins.